Signs (Vista Series)
from Touchstone Pictures
This B movie with noble aspirations is the work of a gifted filmmaker whose storytelling falls short of his considerable stylistic flair. While addressing crises of faith in the framework of an alien-invasion thriller, M. Night Shyamalan (in his follow-up to The Sixth Sense and Unbreakable) favors atmospheric tension over explanatory plotting. He injects subtle humor into expertly spooky scenes, but the story suffers from too many lapses in logic. The film's faults are greatly compensated by the performance of Mel Gibson as a widower whose own crisis of faith coincides with the appearance of mysterious crop circles in his Pennsylvania cornfield... and hundreds of UFOs around the globe. With his brother (Joaquin Phoenix) and two young children (Rory Culkin, Abigail Breslin), the lapsed minister perceives this phenomenal occurrence as a series of signs and portents, while Shyamalan pursues a spookfest with War of the Worlds overtones. It's effective to a point, but vaguely hollow at its core. --Jeff Shannon
From M. Night Shyamalan, the writer/director of THE SIXTH SENSE and UNBREAKABLE, comes the story of the Hess family in Bucks County, Pennsylvania, who wake up one morning to find a 500-foot crop circle in their backyard. Graham Hess (Mel Gibson) and his family are told extraterrestrials are responsible for the sign in their field. They watch, with growing dread, the news of crop circles being found all over the world. SIGNS is the emotional story of one family on one farm as they encounter the terrifying last moments of life as the world is being invaded. "It's easy for a filmmaker to blow up the world -- but what Shyamalan does is much riskier. He tries to blow our minds. I was engaged by every inch of SIGNS." - Richard Roeper, Ebert & Roeper.
Who Framed Roger Rabbit (Vista Series)
by Robert Zemeckis
from Disney Home Video
Roger Rabbit is framed for murder and hires a detective to clear his name.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 3-FEB-2004
Media Type: DVD
This zany, eye-popping, knee-slapping landmark in combining animation with live-action ingeniously makes that uneasy combination itself (and the history of Hollywood) its subject. Who Framed Roger Rabbit is based on classic L.A. private-eye movies (and, specifically, Chinatown), with detective Eddie Valiant (Bob Hoskins) investigating a case involving adultery, blackmail, murder, and a fiendish plot to replace Los Angeles's once-famous Red Car public transportation system with the automobiles and freeways that would later make it the nation's smog capital. Of course, his sleuthing takes him back to the place he dreads: Toontown, the ghetto for cartoons that abuts Hollywood and that was the site of a tragic incident in Eddie's past. In addition to intermingling cartoon characters with live actors and locations, Roger Rabbit also brings together the greatest array of cartoon stars in the history of motion pictures, from a variety of studios (Disney, Warner Bros., MGM, Fleischer, Universal, and elsewhere): Betty Boop, Bugs Bunny, Mickey Mouse, Woody Woodpecker, Droopy Dog, and more! And, of course, there's Maroon Cartoon's greatest star, Roger Rabbit (voice by Charles Fleischer), who suspects his ultracurvaceous wife, Jessica Rabbit (voice by Kathleen Turner: "I'm not bad; I'm just drawn that way"), of infidelity. Directed by Robert Zemeckis (Back to the Future, Forrest Gump, Contact), not since the early Looney Tunes' "You Oughtta Be in Pictures" has there been anything like Roger Rabbit. --Jim Emerson
Unbreakable (Two-Disc Vista Series)
from Walt Disney Video
When Unbreakable was released, Bruce Willis confirmed that the film was the first in a proposed trilogy. Viewed in that context, this is a tantalizing and audaciously low-key thriller, with a plot that twists in several intriguing and unexpected directions. Standing alone, however, this somber, deliberately paced film requires patient leaps of faith--not altogether surprising, since this is writer-director M. Night Shyamalan's daring follow-up to The Sixth Sense. While just as assured as that earlier, phenomenal hit, Unbreakable is the work of a filmmaker whose skill exceeds his maturity, its confident style serving a story that borders on juvenile. However, Shyamalan's basic premise--that comic books are the primary conduit of modern mythology--is handled with substantial relevance.
Willis plays a Philadelphia security guard whose marriage is on the verge of failing when he becomes the sole, unscathed survivor of a devastating train wreck. When prompted by a mysterious, brittle-boned connoisseur of comic books (Samuel L. Jackson), he realizes that he's been free of illness and injury his entire life, lending credence to Jackson's theory that superheroes--and villains--exist in reality, and that Willis himself possesses extraordinary powers. Shyamalan presents these revelations with matter-of-fact gravity, and he draws performances (including those of Robin Wright Penn and Spencer Treat Clark, as Willis's wife and son) that are uniformly superb. The film's climactic revelation may strike some as ultimately silly and trivial, but if you're on Shyamalan's wavelength, the entire film will assume a greater degree of success and achievement. --Jeff Shannon
Bruce Willis and Samuel L. Jackson star in a mind-shattering, suspense-filled thriller that stays with you long after the end of this riveting supernatural film. After David Dunn (Willis) emerges from a horrific train crash as the sole survivor -- and without a single scratch on him -- he meets a mysterious sranger (Jackson). An unsettling stranger who believes comic book heroes walk the earth. A haunting stranger, whose obsession with David will change David's life forever.
The Village (Widescreen Vista Series)
from Buena Vista Home Entertainment / Touchstone
Even when his trademark twist-ending formula wears worrisomely thin as it does in The Village, M. Night Shyamalan is a true showman who knows how to serve up a spookfest. He's derailed this time by a howler of a "surprise" lifted almost directly from "A Hundred Yards Over the Rim," an episode of The Twilight Zone starring Cliff Robertson that originally aired in 1961. Even if you're unfamiliar with that Rod Serling scenario, you'll have a good chance of guessing the surprise, which ranks well below The Sixth Sense and Signs on Shyamalan's shock-o-meter. That leaves you to appreciate Shyamalan's proven strengths, including a sharp eye for fear-laden compositions, a general sense of unease, delicate handling of fine actors (alas, most of them wasted here, save for Bryce Dallas Howard in a promising debut), and the cautious concealment of his ruse, which in this case involves a 19th-century village that maintains an anxious truce with dreadful creatures that live in the forbidden woods nearby. Will any of this take anyone by genuine surprise? That seems unlikely, since Emperor Shyamalan has clearly lost his clothes in The Village, but it's nice to have him around to scare us, even if he doesn't always succeed. --Jeff Shannon
A truce kept between the inhabitants of a small community in Pennsylvania, circa 1890, and the creatures that live in the woods surrounding it is threatened when a young man is determined to explore beyond the boundaries of the village.
Genre: Suspense
Rating: PG13
Release Date: 13-DEC-2005
Media Type: DVD
Tombstone - The Director's Cut (Vista Series)
by George P. Cosmatos
from Walt Disney Video
This Western has become a modest cult favorite since its release in 1993, when the film was met with mixed reviews but the performances of Kurt Russell (as Wyatt Earp) and especially Val Kilmer, for his memorably eccentric performance as the dying gunslinger Doc Holliday, garnered high praise. The movie opens with Wyatt Earp trying to put his violent past behind him, living happily in Tombstone with his brothers and the woman (Dana Delany) who puts his soul at ease. But a murderous gang called the Cowboys has burst on the scene, and Earp can't keep his gun belt off any longer. The plot sounds routine, and in many ways it is, but Western buffs won't mind a bit thanks to a fine cast and some well-handled action on the part of Rambo director George P. Cosmatos, who has yet to make a better film than this. --Jeff Shannon
George P. Cosmatos presents the Director's Cut of his incredibly popular TOMBSTONE, the action-packed, star-studded western that brings the legendary feud between the Earps and the Clantons to life. Former U.S. Marshall Wyatt Earp's (Kurt Russell) plan for peace, quiet, and prosperity misfires when he, his brothers, and the outrageous rogue Doc Holliday (Val Kilmer) encounter that ruthless band of outlaws, the Clantons. Gripping performances and explosive action fill the screen in this legendary western about Tombstone and the gunfight at the O.K. Corral.
The Village (Full Screen Edition) - Vista Series
from Buena Vista Home Entertainment / Touchstone
A truce kept between the inhabitants of a small community in Pennsylvania, circa 1890, and the creatures that live in the woods surrounding it is threatened when a young man is determined to explore beyond the boundaries of the village.
Genre: Suspense
Rating: PG13
Release Date: 13-DEC-2005
Media Type: DVD
Even when his trademark twist-ending formula wears worrisomely thin as it does in The Village, M. Night Shyamalan is a true showman who knows how to serve up a spookfest. He's derailed this time by a howler of a "surprise" lifted almost directly from "A Hundred Yards Over the Rim," an episode of The Twilight Zone starring Cliff Robertson that originally aired in 1961. Even if you're unfamiliar with that Rod Serling scenario, you'll have a good chance of guessing the surprise, which ranks well below The Sixth Sense and Signs on Shyamalan's shock-o-meter. That leaves you to appreciate Shyamalan's proven strengths, including a sharp eye for fear-laden compositions, a general sense of unease, delicate handling of fine actors (alas, most of them wasted here, save for Bryce Dallas Howard in a promising debut), and the cautious concealment of his ruse, which in this case involves a 19th-century village that maintains an anxious truce with dreadful creatures that live in the forbidden woods nearby. Will any of this take anyone by genuine surprise? That seems unlikely, since Emperor Shyamalan has clearly lost his clothes in The Village, but it's nice to have him around to scare us, even if he doesn't always succeed. --Jeff Shannon
The Sixth Sense (Two-Disc Vista Series)
from Walt Disney Video
"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole.
This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart
Hollywood superstar Bruce Willis (ARMAGEDDON, THE SIEGE) brings a powerful presence to an edge-of-your-seat thriller from writer-director M. Night Shyamalan (Oscar(R)-nominee for Best Original Screenplay and Best Director) that critics are calling one of the greatest ghost stories ever filmed. When Dr. Malcolm Crowe (Willis), a distinguished child psychologist, meets Cole Sear (Oscar(R)-nominee Haley Joel Osment, Best Supporting Actor), a frightened, confused, eight-year-old, Dr. Crowe is completely unprepared to face the truth of what haunts Cole. With a riveting intensity you'll find thoroughly chilling, the discovery of Cole's incredible sixth sense leads them to mysterious places with unforgettable consequences!
Pearl Harbor - The Director's Cut (Three-Disc Vista Series)
by Michael Bay
from Buena Vista Home Entertainment
No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-JUL-2002
Media Type: DVD
Sometimes bigger is actually better. Nearly matching the size of director Michael Bay's ego, this massive four-disc set is a veritable Pearl Harbor archive, and ironically, Bay's film remains the least interesting component. It's a purely conventional Hollywood take on the tragedy, using a clichéd love triangle between two ace pilots (Josh Hartnett, Ben Affleck) and a Pearl Harbor nurse (Kate Beckinsale) as an "intimate" means of spectacularly re-creating the attack that thrust America into World War II. The director's cut adds little to the previous DVD release, apart from authentic R-rated carnage during the Japanese raid, and minor expansion of the Hartnett-Beckinsale romance. Commentaries range from superfluous (Bay and film historian Jeanine Basinger) to highly entertaining (Ben Affleck and costars) and technically informative (primary production team), and a spirited examination of visual effects (with Bay and ILM supervisor Eric Brevig) is guaranteed to fascinate anyone interested in physical effects and CGI. A broad "making of" documentary is noteworthy for one-time viewing, while abundant historical records make this a valuable compilation of definitive materials.
The History Channel's "One Hour over Tokyo" and "Unsung Heroes of Pearl Harbor" provide depth that Bay's movie lacks, and Charles Kiselyak's interactive timeline is arguably the finest feature included, providing an in-depth historical perspective on U.S.-Japan relations. Even a brief reenactment of a Pearl Harbor nurse's journal is moving in a way that Bay's film can only try to be, while the "Interactive Attack Sequence" provides a multifaceted exploration of the entire production process (a highly educational feature for aspiring filmmakers). All in all, these four discs offer an admirable balance between Bay's technically impressive but ill-conceived epic and a thorough, fitting tribute to those who endured hell on that fateful Sunday in 1941. --Jeff Shannon
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