Battlestar Galactica - Season Three
from Sci-Fi Channel, The
The third season of Battlestar Galactica got off to a rip-roaring start on New Caprica, where the settlers had found themselves under Cylon occupation at the end of the previous season. Dr. Baltar (James Callis) had been elected President based on his intention to stop looking for Earth and settle on New Caprica, but is now a puppet of the Cylons, forced to sign execution orders for numerous humans, including former President Roslin (Mary McDonnell). A resistance movement is building, however, led by Col. Tigh (Michael Hogan), and assisted by Chief Tyrol (Aaron Douglas) and Samuel Anders (Michael Trucco). Tigh's desperate tactics--including suicide bombers--raise interesting parallels to the U.S. war in Iraq, and he finds he has to make an even tougher choice. Thanks to Admiral Adama's (Edwards James Olmos) return and the unexpected help of Boomer (Grace Park), the colonists escape, then begin a series of trials in order to convict all of the Cylon collaborators, culminating in the explosive trial of Baltar himself. In a boxing-metaphor episode, Apollo (Jamie Bamber) and Starbuck (Katee Sackhoff) resume their mutual attraction with a surprising outcome. After the exciting beginning, Battlestar Galactica sagged a little in the middle of the third season (as it did in the second season) with its ship-bound episodes, but caught speed again at the end. The quest to find Earth, the unexpected loss of a major character, and the revealing of four of the final five Cylons kept viewers coming back to a series that blends action, drama, and universal questions of loyalty, faith, and justice in a way that transcends the science-fiction setting. With Dean Stockwell, Lucy Lawless, and Tricia Helfer as Cylons 1, 3, and 6, Mark Sheppard as defense attorney Romo Lampkin, Alessandro Juliani as Lt. Gaeta, Kandyse McClure as Petty Officer "Dee" Dualla, Nicki Clyne as Crewman Specialist Cally, Kate Vernon as Ellen Tigh, and Rekha Sharma as presidential aide Tory Foster.
Every episode on the DVD set has executive producer Ronald Moore's podcast commentaries (occasionally joined by others) and almost every episode has deleted scenes, including a different (and less effective) version of the season's final surprise. Also included are bonus commentaries, the Resistance webisodes (10 episodes, 26 minutes total) that provide more of life on occupied New Caprica, executive producer David Eicks' "video blog" featurettes, and an extended version of "Unfinished Business" (mostly adding non-Starbuck-Apollo material). --David Horiuchi
The adventure of one of television's finest dramas continues with the complete third season of the Peabody Award-winning Battlestar Galactica. The Colonies' survivors have found their hopes of eluding their Cylon pursuers dashed by an invasion and occupation of their new home. As the fate of all human life hangs in the balance friends become enemies enemies become unexpected allies and decisions are made that will haunt some people for the rest of their lives. Relive all 20 episodes of the season that challenges everything you thought you knew about the Battlestar Galactica universe. Presented in Dolby 5.1 surround sound the 6-disc set features over 15 hours of extensive special features including the DVD exclusive version of the episode "Unfinished Business" containing 25 additional minutes of never-before-seen footage. You won't want to miss a minute of the series considered "one of the best dramas on TV" (Time Magazine).System Requirements:Running Time: 953 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 025195010726 Manufacturer No: 61101285
The Office - Season Three
from National Broadcasting Company (NBC)
After a shaky first season of finding its footing, and a second season of establishing itself as one of the funniest shows on TV, the third season of The Office finds the show in its strongest form yet, thanks in large part to the addition of some new characters and stronger plotlines centered on office romances. A corporate merger brings the Stamford staff to the Scranton office of Dunder-Mifflin a quarter of the way through the season giving a nice boost to the season's arc of story lines, especially the addition of Andy (Ed Helms, another Daily Show alum in a role that seems custom made for him) who serves as yet another foil to Dwight (Rainn Wilson) in his unending fight for Michael's approval. As the season begins, the focus is more on Michael (Steve Carell) and his unique "leadership" style in the Scranton office. "A good boss gruntles the disgruntled," and despite his best intentions, he proceeds to somehow screw it up, as in the opening episode, "Gay Witch Hunt," in which he accidentally outs a gay employee. In the second episode, "The Convention," Michael tries to get the party started at the Mid-Market Office Supply Convention ("fun jeans"), and ends up revealing his insecurity about Jim's (John Krasinski) decision to move to Stamford. It leads up to "The Coup," where Dwight meets with Michael's Boss Jan (Melora Hardin) in a misguided attempt to take control of the office. The merger of the two offices into the Scranton location provides the fuel needed to continue the Jim and Pam (Jenna Fischer) subplot as Jim returns with his new girlfriend, Karen (Rashida Jones) who also transferred, and with Pam no longer engaged to Roy, the tension among them increases significantly. Other major plot points this season include: Dwight shows his true feelings for Angela in an excellent climax to one of the funniest subplots on the show; Michael negotiates a raise after learning he barely makes more than his subordinates; new office suck-up Andy is forced into anger management classes; and finally, in what may be the most bizarre company retreat in history, a day at the beach ends with Pam revealing her true feelings for Jim in front of the entire office. The season wraps up in unpredictable fashion when Karen, Michael, and Jim all travel to headquarters to interview for the same position. The strength of this season just continues to solidify The Office's place as the preeminent satire of today's cubicle culture. --Daniel Vancini
Fill your Inbox with hilarious moments from The Office Season Three in this four-disc collection that's crammed with extensive bonus features and all 22 episodes of the 2006 Primetime Emmy Award winner for Outstanding Comedy Series! Steve Carell is back in his Golden Globe-winning role as earnest but clueless boss Michael Scott who can't help but contribute his own irreverent commentary to the daily happenings at the Scranton branch of the Dunder Mifflin paper company. As the staff deals with potential office closures mergers romances and advancement Michael's always there to say all the wrong things at all the right times. Including five supersized episodes and over three hours of deleted scenes The Office Season Three is packed with classic moments from the show that TIME magazine praises for "satirizing the culture of coffee cubicles and Chili's with heart and laser precision."Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: PG UPC: 025195008204 Manufacturer No: 61100979
The Office - Season One
from National Broadcasting Company (NBC)
No Description Available.
Genre: Television
Rating: NR
Release Date: 16-AUG-2005
Media Type: DVD
The British sitcom The Office has the most devoted following this side of Monty Python, so an American remake seemed doomed. Amazingly, the remake actually finds its own enjoyable version of the original's uncanny comedy of embarrassment. Office manager Michael Scott (Steve Carell, The Daily Show, The 40 Year-Old Virgin) believes he's the beloved leader of the Scranton, Pennsylvania, branch of a paper products company--but his relentless and painfully forced efforts at comedy creep out everyone around him, including paranoid Dwight (Rainn Wilson, who had a memorable recurring role on Six Feet Under), nervous receptionist Pam (Jenna Fischer, LolliLove), and aimless salesman Jim (John Krasinski, A New Wave), who's smitten with the already engaged Pam. The pilot episode suffers from closely replicating the British pilot, but after that The Office finds its own footing, turning diversity training, an office birthday party, and a basketball game into excruciating yet hypnotically funny rituals of humiliation. Carell, though clearly talented, can't match Ricky Gervais' unique performance as the aggressively needy British manager (it's hard to imagine that anyone could); as a result, the supporting roles become more prominent, and Wilson, Fischer, and Krasinski quickly create a rapport that matches and may even exceed that of their British counterparts. Be sure to watch the deleted scenes; remarkably, they're as good as the material that made it on the air in this six-episode season. --Bret Fetzer
Jurassic Park Adventure Pack (Jurassic Park/ The Lost World: Jurassic Park/ Jurassic Park III)
by Joe Johnston
from Universal Studios
Jurassic Park
Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T-rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh
The Lost World - Jurassic Park
In the low tradition of knockoff horror flicks best seen (or not seen) on a drive-in movie screen, Steven Spielberg's sequel to Jurassic Park is a poorly conceived, ill-organized film that lacks story and logic. Screenwriter David Koepp strings along a number of loose ideas while Jeff Goldblum returns as Ian Malcolm, the quirky chaos theoretician who now reluctantly agrees to go to another island where cloned dinosaurs are roaming freely. Along with his girlfriend (Julianne Moore) and daughter, Malcolm has to deal with hunters, environmentalists, and corporate swine who stupidly bring back a big dino to Southern California, where it runs amok, of course. Spielberg doesn't seem to care that the pieces of this project don't add up to a real movie, so he hams it up with big, scary moments (with none of the artfulness of those in Jurassic Park) and smart-aleck visual gags (a yapping dog in a suburb mysteriously disappears when a hungry T-rex stomps by). A complete bust.--Tom Keogh
Jurassic Park III
Surpassing expectations to qualify as an above-average sequel, Jurassic Park III is nothing more or less than a satisfying popcorn adventure. A little cheesier than the first two Jurassic blockbusters, it's a big B movie with big B-list stars (including Laura Dern, briefly reprising her Jurassic Park role), and eight years of advancing computer-generated-image technology give it a sharp edge over its predecessors. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons and a new villain, the spinosaurus--more dazzling and threatening than ever. These advancements justify the sequel, and its contrived plot is just clever enough to span 90 minutes without wearing out its welcome.
Posing as wealthy tourists, an adventurous couple (William H. Macy, Téa Leoni) convince paleontologist Alan Grant (Sam Neill) and his protégé (Allesandro Nivola) to act as tour guides on a flyover trip to Isla Sorna, the ill-fated "Site B" where all hell broke loose in The Lost World: Jurassic Park. In truth, they're on a search-and-rescue mission to find their missing son (Trevor Morgan), and their plane crash is just the first of several enjoyably suspenseful sequences. Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. rex versus spinosaurus smack-down), adequate doses of wry humor (from the cowriters of Election), and an upbeat ending that's corny but appropriate, proving that the symptoms of sequelitis needn't be fatal. --Jeff Shannon
Battlestar Galactica - Season One
from Sci-Fi Channel, The
Largely wiped out by a hundred years of warfare with the Cylon Empire, the few surviving humans search for the mythical thirteenth colony, Earth.
Genre: Science Fiction
Rating: NR
Release Date: 20-SEP-2005
Media Type: DVD
Battlestar Galactica's Edward James Olmos wasn't kidding when he said "the series is even better than the miniseries." As developed by sci-fi TV veteran Ronald D. Moore, the "reimagined" BG is exactly what it claims to be: a drama for grown-ups in a science-fiction setting. The mature intelligence of the series is its greatest asset, from the tenuous respect between Galactica's militarily principled commander Adama (Olmos) and politically astute President Roslin (Mary McDonnell) to the barely suppressed passion between ace Viper pilot "Apollo" (a.k.a. Adama's son Lee, played by Jamie Bamber) and the brashly insubordinate Starbuck (Katee Sackhoff), whose multifaceted character is just one of many first-season highlights. Picking up where the miniseries ended (it's included here, sparing the need for separate purchase), season 1 opens with the riveting, Hugo Award-winning episode "33," in which Galactica and the "ragtag fleet" of colonial survivors begin their quest for the legendary 13th colony planet Earth, while being pursued with clockwork regularity by the Cylons, who've now occupied the colonial planet of Caprica. The fleet's hard-fought survival forms (1) the primary side of the series' three-part structure, shared with (2) the apparent psychosis of Dr. Gaius Baltar (James Callis) whose every thought and move are monitored by various incarnations of Number Six (Tricia Helfer), the seemingly omniscient Cylon ultravixen who follows a master plan somehow connected to (3) the Caprican survival ordeal of crash-landed pilots "Helo" (Tahmoh Penikett) and "Boomer" (Grace Park), whose simultaneous presence on Galactica is further evidence that 12 multicopied models of Cylons, in human form, are gathering their forces.
With remarkably consistent quality, each of these 13 episodes deepens the dynamics of these fascinating characters and suspenseful situations. While BG relies on finely nuanced performances, solid direction, and satisfying personal and political drama to build its strong emotional foundation, the action/adventure elements are equally impressive, especially in "The Hand of God," a pivotal episode in which the show's dazzling visual effects get a particularly impressive showcase. Original BG series star Richard Hatch appears in two politically charged episodes (he's a better actor now, too), and with the threat of civil war among the fleet, season 1 ends with an exceptional cliffhanger that's totally unexpected while connecting the plot threads of all preceding episodes. To the credit of everyone involved, this is frackin' good television.
DVD features
The fifth disc in Battlestar Galactica's season 1 set is highlighted by eight comprehensive featurettes covering all aspects of the series, from its miniseries origins to standard surveys of production design, visual effects, and particulars of plot and character. For hardcore fans and anyone interested in TV production, nine out of 13 episodes, plus the disc 1 miniseries, are accompanied by intelligent and informative commentary originally provided as BG website podcasts, mostly by series developer and writer Ronald D. Moore, who provides tantalizing clues about developments in season 2. The "Series Lowdown" is a cast-and-crew promotional program originally broadcast to attract SciFi Channel viewers who were initially reluctant to embrace a "reimagined" Battlestar Galactica. The strategy worked: First-season ratings left no doubt that the new BG was as good as--and in many ways better than--the original. --Jeff Shannon
Battlestar Galactica: Season 2.5 (Episodes 11-20)
from Sci-Fi Channel, The
The $25 Million Breakaway Hit Returnsto DVD in Dolby 5.1 Surround Sound! DVD Exclusive - Extended MidseasonCliffhanger Episode PegasusOver 10 Hours of Bonus Content!System Requirements:Running Time: 190 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025192983320 Manufacturer No: 29833
Battlestar Galactica's season 2.5 (i.e., the final 10 episodes of the second season, plus an extended version of episode 10) picks up where season 2.0 (the first 10 episodes) left off: Galactica's giddy reunion with the Pegasus had taken a sour turn when Admiral Cain (Michelle Forbes) went back on her word to Commander Adama (Edward James Olmos) and decided to integrate the crews, moving Apollo (Jamie Bamber) and Starbuck (Katee Sackhoff) to Pegasus. The animosity, combined with an attack on Sharon (Grace Park), threatens to derail a golden opportunity for the fleet to strike the Cylons where they'll hurt, and stay hurt--their resurrection ship.
In many ways, Sharon is the central character. The attack lands Helo (Tahmoh Penikett) and the Chief (Aaron Douglas) in hot water; her impending baby remains the subject of heated debate among president Laura Roslin (Mary McDonnell), Commander Adama, and others; and a rebellious movement determined to force Galactica to give up the Cylon ends up threatening both Apollo and Starbuck and putting further strain on their already-shaky relationship. Dr. Baltar (James Callis) becomes even more intertwined with the Cylons when he discovers another version of Number Six (Tricia Helfer) on the Pegasus, but is also in line to take over the presidency as Roslin's cancer reaches a critical stage. Battlestar Galactica's inexorable dramatic arc sagged in a couple episodes during this run, but the terrific two-part season finale involving a presidential election, a glimmer of hope for humanity, and some unexpected turns of events makes for a thrilling springboard to season 3. Battlestar is often called the best sci-fi show on television, but that seems like damning it with faint praise; it's the best drama on television.
In addition to the 10 episodes, the three-DVD set has an extended version of the last episode of season 2.0, "Pegasus"; the extra 15 minutes include a longer conversation in which Cain reveals her plans to Adama. That episode has a commentary track by executive producers Ronald D. Moore and David Eick, Moore's podcast commentaries are on every other episode, Eick's "video blogs" serve as casual featurettes on series production, and there are numerous deleted scenes. --David Horiuchi
Battlestar Galactica - Season 2.0 (Episodes 1-10)
from Sci-Fi Channel, The
The first half of Battlestar Galactica's second season left no doubts about the continuing excellence of the best science fiction TV series of 2005. Beginning with the Colonial Fleet separated, Col. Tigh (Michael Hogan) botching his temporary command, and Capt. Adama (Edward James Olmos) near death after a Cylon assassination attempt, series producer/developer Ronald D. Moore and his gifted writing staff packed more into these 10 episodes than most series manage in a full season. Maintaining its reputation as an adult drama, the series is compellingly anchored by the gravitas of Olmos and Mary McDonnell, whose role as Fleet President Laura Roslin grows more complex as she reveals her diagnosis of breast cancer and defies Adama, playing the "religious card" with her conviction that prophetic visions will lead the embattled fleet toward its legendary home planet Earth. As Adama's son Apollo (Jamie Bamber) wrestles with his role in Roslin's mutinous agenda, paranoia runs high as Cylon copies (or "avatars") of Boomer (Grace Park) complicate matters aboard Galactica and on Kobol, where a lost Raptor crew struggles to survive and Dr. Baltar (James Callis) endures the increasingly haunting and manipulative intrusions into his tormented psyche by Number Six (Tricia Helfer), the seductive Cylon who holds the secret to the Cylon master plan to destroy humankind.
Further action takes place on Cylon-occupied Caprica, where Starbuck (Katee Sackhoff) and Helo (Tamoh Penikett) discover a group of human resistance fighters who survived the Cylons' nuclear attack in season 1. As all of these plot threads are expertly interwoven, the high-stakes conflict of BG 2.0 culminates in a suspenseful mid-season cliffhanger. Through all of this, Battlestar Galactica maintains consistently high standards of intelligent drama and well-justified, story-based use of spectacular special effects, while developing rich relationships across a broad spectrum of interesting supporting characters. The series' large and likable cast is well-used throughout (even smaller roles are given adequate dimension), and Moore's "podcast" commentaries provide a smart, thorough analysis of the show's writing process and conceptual evolution. Yes, it's undeniably true that this half-season DVD set is a blatantly commercial ploy to lure more and more viewers into the ongoing season (which resumed in January 2006), but you can hardly blame Universal for capitalizing on a high-quality series. With solid ratings, good scripts, and a devoted cast and crew, Battlestar Galactica showed every indication of thriving toward a third season and beyond. --Jeff Shannon
Sci-fi's hottest TV series returns as Battlestar Galactica 2.0 blasts onto DVD in Dolby 5.1 Surround Sound. As the epic second season begins, the fight to save humanity rages on - even as civil war looms within the fleet between the followers of President Roslin and Commander Adama. Relive all the intensity and excitement aboard the Galactica with a supernova of explosive bonus features, including deleted scenes and podcasts. It's a heart-pounding adventure you can't afford to miss!
The Mummy Collector's Set (The Mummy (1999)/ The Mummy Returns/ The Scorpion King)
from Universal Studios
The Mummy
If you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by.
The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny Brown
The Mummy Returns
Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath).
John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff Shannon
The Scorpion King
There's nothing original in The Scorpion King, but this derivative action franchise gets off to a rousing start by cleverly stealing from a lot of better movies. Capitalizing on his brief cameo in The Mummy Returns, Dwayne Johnson (a.k.a. World Wrestling Federation star the Rock) stars as Mathayus, an Akkadian assassin in the age preceding Egyptian pharaohs, who vows to avenge his brother's murder by an undefeated warlord (Steven Brand) prophesied to become the desert-ruling Scorpion King. Their battle for supremacy comprises most of the film's brisk 95-minute running time, punctuated by comic relief from Mathayus's obligatory sidekick (Grant Heslov), romance with a beautiful sorceress (Kelly Hu), and alliance with a massive Nubian (Michael Clarke Duncan) on the eve of their climactic showdown. There's no rhyme or reason to the film's depiction of ancient civilization (the costuming is particularly ludicrous), but the Rock demonstrates adequate action-star potential, and director Chuck Russell (The Mask) wraps it all in a slick, professional package. --Jeff Shannon
House, M.D. - Season Three
from Fox Network
Two-time Golden Globe Winner and Primetime Emmy Award nominee Hugh Laurie is back making "House" calls in all 24 engaging episodes of this hit medical series! Dr. Gregory House (Laurie) still has the most unapologetically prickly bedside manner ever but his genius for solving medical mysteries other practitioners can't has earned him the respect of his team. In this provocative and compelling season House's unpredictable cases - from killer germs to killer secrets - strain his already tenuous relationship with his co-workers and put his own health at risk. Take the doctor's orders: make House: Season Three a habit!System Requirements:Running Time: 219 Mins.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025195008136 Manufacturer No: 61100973
The cantankerous and brilliant Dr. House (Golden Globe winner Hugh Laurie) is back for a third season of the hit drama House, which picks up with his being shot at the end of season two and ends with his staff dramatically refusing to put up with his oddball (and borderline abusive) demands. Each of the 24 episodes, which aired on FOX from 2006 to 2007, is included in this 5-disc set. Fans of the drama will be happy to hear that the formula remains the same: Each show begins with a medical dilemma that's so severe and life-threatening that only Dr. House can diagnose and fix the problem, even if it goes against conventional medical rules. His put-upon boss Cuddy (Lisa Edelstein) is back, as are his young charges Foreman (Omar Epps), Cameron (Jennifer Morrison), and Chase (Jesse Spencer). Oncologist Wilson (Tony winner Robert Sean Leonard), who is House's best friend by default, also returns to support (and infuriate) the cranky doctor. Speaking of cranky, House's difficult nature proves to bite him in the rear. In a six-episode arc, the Vicodin-popping House meets his match after he antagonizes the wrong patient, police officer Michael Twitter (David Morse, who played a compassionate physician on St. Elsewhere). Hell hath no fury like a patient poked and prodded like a guinea pig, and Twitter makes it his business to make House's life miserable. But since the show is called House, viewers are safe in assuming that House will not be rotting his life away in a jail cell. After all, the excitement of the show is driven by his unorthodox treatment of patients. As Cuddy succinctly points out, "You just keep on going until you come up with something so insane it's usually right." Look for a slew of excellent guest stars (rocker Dave Matthews, Charles S. Dutton, Piper Perabo, John Larroquette) to help stir things up. The episodes are as compelling as ever, focusing on a morbidly obese patient in denial, an autistic child, and a comatose man that House insists on "waking" up. The bonus materials include Morrison and Edelstein doing scenes in Valley Girl-speak and a featurette on Laurie's all-star charity group called Band from TV (Laurie plays piano). --Jae-Ha Kim
House, M.D. - Season One
from Fox Network
Dr. Gregory House, a disabled, cantankerous, Vicodin addicted infectious disease specialist, solves medical mysteries with his colleagues at the fictional Princeton-Plainsboro Teaching Hospital in New Jersey.
No Track Information Available
Media Type: DVD
Artist: HOUSE
Title: SEASON 1
Street Release Date: 08/30/2005
Genre: TELEVISION
He pops pills, watches soaps, and always, always says what's on his mind. He's Dr. Gregory House (Emmy nominee Hugh Laurie, Blackadder). Producers David Shore, Bryan Singer, Katie Jacobs, and Paul Attanasio haven't rewritten the hospital drama--at heart, it's a cross between St. Elsewhere, ER, and C.S.I.--but they've infused a moribund genre with new life and created one of TV's most compelling characters. More than any previous medical procedural, it resembles Attanasio's underrated Gideon's Crossing, but House is lighter on its feet. As fascinating as he is, the show wouldn't work as well if it were all House all the time (that would be like Sherlock Holmes without Watson or Moriarty). Fortunately, he's joined by an intriguing cast of characters, portrayed by a combination of experienced vets (Omar Epps, Lisa Edelstein, Tony winner Robert Sean Leonard) and new faces (Jennifer Morrison, Jesse Spencer). Aside from the complicated cases they tackle each week, the sparks really fly when House's brilliant, if naïve charges are put to the test--and as the head of a teaching hospital, it's his job to test them (although his tough love approach is constantly landing him in hot water with Edelstein's administrator). From the first episode, House attracted a talented array of guests, including Robin Tunney ("Pilot"), Joe Morton ("Role Model"), and Patrick Bauchau ("Cursed") as Spencer's father. In addition, Chi McBride and Sela Ward appear frequently (with Ward returning for the second season). Viewers who first watched these 22 episodes on Fox will be gratified to note that the music has survived the transition to disc, such as the Rolling Stones' "You Can't Always Get What You Want," as featured in both the pilot and season finale ("Honeymoon"). The only apparent omission is the credit theme (Massive Attack's "Teardrop") from the pilot. --Kathleen C. Fennessy
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