Pride & Prejudice
by Joe Wright (IV)
from Universal Studios
Literary adaptations just don't get any better than director Joe Wright's 2005 version of Jane Austen's Pride & Prejudice. The key word here is adaptation, because Wright and gifted screenwriter Deborah Moggach have taken liberties with Austen's classic novel that purists may find objectionable, but in this exquisite film their artistic decisions are entirely justified and exceptionally well executed. It's a more rural England that we see here, circa 1790 (as opposed to Austen's early 19th century), in which Elizabeth Bennet (Keira Knightley) is one of several sisters primed for marriage, with an anxious mother (Brenda Blethyn) only too desperate to see her daughters paired off with the finest, richest husbands available. Elizabeth is strong-willed and opinionated, but her head (not to mention her pride and prejudice) lead her heart astray when she meets the wealthy Mr. Darcy (Matthew Macfadyen), whose own sense of decency and discretion (not to mention his pride and prejudice) prevent him from expressing his mutual affection. They're clearly meant for each other, and as Knightley's performance lights up the screen (still young enough to be girlishly impertinent, yet wise beyond her 20 years), Austen's timeless romance yields yet another timeless adaptation, easily on par with the beloved BBC miniseries that has been embraced by millions since originally broadcast in 1995. Individual tastes will vary as to which version should be considered "definitive," but with a stellar supporting cast including Judi Dench and Donald Sutherland, this impeccable production achieves its own kind of perfection. --Jeff Shannon
One of the greatest love stories of all time, Pride & Prejudice, comes to the screen in a glorious new adaptation starring Keira Knightley. When Elizabeth Bennett (Knightley) meets the handsome Mr. Darcy (Matthew MacFadyen), she believes he is the last man on earth she could ever marry. But as their lives become intertwined in an unexpected adventure, she finds herself captivated by the very person she swore to loathe for all eternity. Based on the beloved masterpiece by Jane Austen, it is the classic tale of love and misunderstanding that sparkles with romance, wit and emotional force. Critics are calling it "Exhilarating. A joy from start to finish" (Carina Chocano, Los Angeles Times).
The Office - Season Three
from National Broadcasting Company (NBC)
Fill your Inbox with hilarious moments from The Office Season Three in this four-disc collection that's crammed with extensive bonus features and all 22 episodes of the 2006 Primetime Emmy Award winner for Outstanding Comedy Series! Steve Carell is back in his Golden Globe-winning role as earnest but clueless boss Michael Scott who can't help but contribute his own irreverent commentary to the daily happenings at the Scranton branch of the Dunder Mifflin paper company. As the staff deals with potential office closures mergers romances and advancement Michael's always there to say all the wrong things at all the right times. Including five supersized episodes and over three hours of deleted scenes The Office Season Three is packed with classic moments from the show that TIME magazine praises for "satirizing the culture of coffee cubicles and Chili's with heart and laser precision."Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: PG UPC: 025195008204 Manufacturer No: 61100979
After a shaky first season of finding its footing, and a second season of establishing itself as one of the funniest shows on TV, the third season of The Office finds the show in its strongest form yet, thanks in large part to the addition of some new characters and stronger plotlines centered on office romances. A corporate merger brings the Stamford staff to the Scranton office of Dunder-Mifflin a quarter of the way through the season giving a nice boost to the season's arc of story lines, especially the addition of Andy (Ed Helms, another Daily Show alum in a role that seems custom made for him) who serves as yet another foil to Dwight (Rainn Wilson) in his unending fight for Michael's approval. As the season begins, the focus is more on Michael (Steve Carell) and his unique "leadership" style in the Scranton office. "A good boss gruntles the disgruntled," and despite his best intentions, he proceeds to somehow screw it up, as in the opening episode, "Gay Witch Hunt," in which he accidentally outs a gay employee. In the second episode, "The Convention," Michael tries to get the party started at the Mid-Market Office Supply Convention ("fun jeans"), and ends up revealing his insecurity about Jim's (John Krasinski) decision to move to Stamford. It leads up to "The Coup," where Dwight meets with Michael's Boss Jan (Melora Hardin) in a misguided attempt to take control of the office. The merger of the two offices into the Scranton location provides the fuel needed to continue the Jim and Pam (Jenna Fischer) subplot as Jim returns with his new girlfriend, Karen (Rashida Jones) who also transferred, and with Pam no longer engaged to Roy, the tension among them increases significantly. Other major plot points this season include: Dwight shows his true feelings for Angela in an excellent climax to one of the funniest subplots on the show; Michael negotiates a raise after learning he barely makes more than his subordinates; new office suck-up Andy is forced into anger management classes; and finally, in what may be the most bizarre company retreat in history, a day at the beach ends with Pam revealing her true feelings for Jim in front of the entire office. The season wraps up in unpredictable fashion when Karen, Michael, and Jim all travel to headquarters to interview for the same position. The strength of this season just continues to solidify The Office's place as the preeminent satire of today's cubicle culture. --Daniel Vancini
The Office - Season One
from National Broadcasting Company (NBC)
No Description Available.
Genre: Television
Rating: NR
Release Date: 16-AUG-2005
Media Type: DVD
The British sitcom The Office has the most devoted following this side of Monty Python, so an American remake seemed doomed. Amazingly, the remake actually finds its own enjoyable version of the original's uncanny comedy of embarrassment. Office manager Michael Scott (Steve Carell, The Daily Show, The 40 Year-Old Virgin) believes he's the beloved leader of the Scranton, Pennsylvania, branch of a paper products company--but his relentless and painfully forced efforts at comedy creep out everyone around him, including paranoid Dwight (Rainn Wilson, who had a memorable recurring role on Six Feet Under), nervous receptionist Pam (Jenna Fischer, LolliLove), and aimless salesman Jim (John Krasinski, A New Wave), who's smitten with the already engaged Pam. The pilot episode suffers from closely replicating the British pilot, but after that The Office finds its own footing, turning diversity training, an office birthday party, and a basketball game into excruciating yet hypnotically funny rituals of humiliation. Carell, though clearly talented, can't match Ricky Gervais' unique performance as the aggressively needy British manager (it's hard to imagine that anyone could); as a result, the supporting roles become more prominent, and Wilson, Fischer, and Krasinski quickly create a rapport that matches and may even exceed that of their British counterparts. Be sure to watch the deleted scenes; remarkably, they're as good as the material that made it on the air in this six-episode season. --Bret Fetzer
The Office - Season Two
from National Broadcasting Company (NBC)
It s time to clock in for Season Two of The Office the hilarious and witty TV-mockumentary starring Steve Carell (The 40-Year-Old Virgin) in his Golden Globe Award-winning role. From sexual politics to performance reviews to email espionage the employees at Dunder-Mifflin are there to get the job done or not. Join earnest but clueless boss Michael Scott (Carell) Assistant to the Regional Manager Dwight (Rainn Wilson) receptionist Pam (Jenna Fischer) sales rep Jim (John Krasinski) and the office temp Ryan (B.J. Novak) as they make the daily grind a lot more laughable. Fully staffed with 22 outrageous episodes and hours of side-splitting bonus features it s the must-own collection that caused Time magazine to declare "Never has a lousy job been so much fun!"System Requirements:Running Time: 127 MinutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025193037824 Manufacturer No: 30378
Thank goodness for second seasons. While the first season of The Office started dubiously with a pilot that was just a poor copy of the original British version, it did manage to provide enough good material to stay on the air and hint that better was yet to come. And here it is. The second season of The Office finds its own footing and manages to do the near-impossible by not only breaking free of the gravity of that excellent BBC version to stand solidly on its own, but establishing it as one of the best comedies on TV. Season 2 starts out strong with "The Dundies," where Regional Manager, Michael Scott (Steve Carell, The 40 Year Old Virgin) hosts the company's annual office-awards event with his signature less-than-perfect grace. Things seem to only get worse for him this season as he bumbles a potential affair with his boss, Jan (Melora Harding), angers his employees by reading their emails ("Email Surveillance"), cooks his foot ("The Injury"), and accidentally destroys the warehouse with a forklift in "Boys and Girls," one of the season's highlight episodes. Always at his side is the clueless paranoid Dwight Schrute (Rainn Wilson), the Assistant Regional Manager ("Assistant to the Regional Manager," Michael always reminds him in one of the show's running jokes).
One of the reasons for the show's improvement in the second season is increased focus on Dwight's character, who's becoming something of a pop-culture icon right down to having his own bobblehead. He in turn provides so much good material for Pam (Jenna Fischer) and Jim (John Krasinsky) to play off of, to their own amusement. But of course, Pam and Jim's simmering relationship is the real meat of the show, as their compatibility becomes more obvious, Jim's feelings for her continue to grow, and Pam struggles with the impending marriage to her less-than-caring boyfriend, Roy (David Denman). Things have to come to a head, and they do nicely in the final episode, "Casino Night." As strong as the leading characters are in The Office, it's the excellent peripheral characters that really make the show hilarious, especially dimwitted office-slug Kevin (Brian Baumgartner), long-suffering intern Ryan (B.J. Novak), office-ditz Kelly (Mindy Kaling), and ultra-conservative Angela (Angela Kinsey). As with season 1, this season contains excellent bonus features to give you an excuse to spend more time at The Office, including the fake PSAs, commentaries, Michael's The Faces of Scranton movie, the ten stand-alone webisodes, and deleted scenes. --Daniel Vancini
Tammy And The Bachelor / Tammy Tell Me True / Tammy And The Doctor (Triple Feature)
by Joseph Pevney
from Universal Studios
Harvey
by Henry Koster
from Universal Studios
It's always a small surprise to revisit this movie and realize what a subtly dark performance James Stewart gives as an alcoholic who claims he keeps company with a six-foot-tall, invisible rabbit. As Elwood P. Dowd, the actor emits a faint whiff of decay and spirits, yet Stewart also embraces Dowd's romanticism and grace with splendid ease. Based on a hit play and directed by Henry Koster, the film is terribly funny at times, especially whenever Elwood decides it's only polite to introduce Harvey to complete strangers. The supporting cast can't be beat. --Tom Keogh
James Stewart stars as Elwood P. Dowd, a wealthy alcoholic whose sunny disposition and drunken antics are tolerated by most of the citizens of his community. That is, until Elwood begins to claim that he has a friend named Harvey who is an invisisble six foot rabbit. Elwood's snooty socialite sister, Veta, determined to marry off her daughter Myrtle to a respectable man, begins to plot to keep Elwood's lunacy from interfering.
Fried Green Tomatoes (Widescreen Collector's Edition)
by Jon Avnet
from Universal Studios
A nursing home resident remembers two special friendships at the cafe in a small town near Birmingham.
No Track Information Available
Media Type: DVD
Artist: BATES/TANDY
Title: FRIED GREEN TOMATOES
Street Release Date: 02/06/2007
Genre: DRAMA
Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh
American Graffiti (Collector's Edition)
by George Lucas
from Universal Studios
Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff Shannon
Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes. --Jeff Shannon
Saturday Night Live The Complete Third Season - Limited Edition Boxed Set
from Universal Studios
"Live From New York it s Saturday Night!" For more than thirty years this catch phrase has made its way into the homes of millions of viewers now all 20 episodes of the classic third season are available in their 90-minute length in a 7-disc set for the first time! Saturday Night Live The Complete Third Season features hours of hilarious sketches memorable skits from the original Season 3 cast and all the original musical performances. SNL The Complete Third Season is destined to be a must-have addition to any Saturday Night Live collection.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025195034739 Manufacturer No: 61104239
Television history continued to be written in the third year of Saturday Night Live. After a wobbly debut in SNL's second season, Bill Murray got some traction as a performer and America began to see just how brilliant a comedian he truly could be. Dan Aykroyd owned Jimmy Carter with his extraordinary impression of the late-1970s president, and he partnered with Steve Martin three times in Festrunk Brothers sketches featuring the "wild and crazy" Czech siblings looking for a "swinging" time with American "foxes." John Belushi mined familiar territory with his image as a brash reprobate, Jane Curtin (with Aykroyd) made "Weekend Update" her own, and Garrett Morris remained a rock-steady second banana. Laraine Newman proved, as always, to be the cast's chameleon-like wild card, capable of anything. As for Gilda Radner, her luminous charm and gifts in the classic television comedienne tradition balanced the show's steep irony with pure mirth. There is so much to talk about when listing highlights of Saturday Night Live: The Complete Third Season. The attention-grabbing "Anyone Can Host" contest was a cute stunt that resulted in SNL's Christmas episode being officially hosted by 80-year-old Miskell Spillman, a non-celebrity. Spillman proved game enough to pull off an opening monologue (with Buck Henry) and participate in several sketches. But the truly notable event in that December 17, 1977 program was the first appearance of Elvis Costello (replacing the previously-announced Sex Pistols), who underscored the dangers of live television by interrupting his own performance of "Less Than Zero" and instructing his band, the Attractions, to play "Radio Radio" instead. (For a moment, no one watching could have predicted what was about to happen--whether benign or bizarre.) Also of significance to longtime viewers of SNL was the return of Chevy Chase (on 2/18/78), the show's first breakout star who left the series early in season two, as host. By now, the story of Chase's backstage brawl with Murray just before showtime that night is legend, and it's easy to see how flustered Chase looked in a clunky opening monologue. (He recovers sufficiently for some fine sketchwork and a cameo appearance harassing Curtin on "Update.") Andy Kaufman did one of his best bits portraying a non-English-speaking comic who plays drums and drags a woman out of the audience for a nonsensical sight gag. The Coneheads (Aykroyd, Curtin, Newman) return in a very funny "Family Feud" piece, while Al Franken and Tom Davis continue to have an impact with a sketch that finds Franken attacking his own parents. Belushi mixes pop culture influences in a big way in "Samurai Night Fever." Hosting three times, Steve Martin makes as huge an impression on season three as anyone, introducing his musical novelty number "King Tut" and playing a lonely lover in a wistful-slapstick sketch in which he dances with Radner.
The overall slate of musical guests is good though not great, and except for Costello, Randy Newman, Keith Jarrett, and Paul Simon, the artists tend toward middle-of-the-road. Besides Martin, there are a few other strong hosts, including Buck Henry and a magnificent Michael Palin, who opens his show by dumping a plate of seafood and two cats down his pants. Faring less well as hosts are O.J. Simpson, Hugh Hefner, and Michael Sarrazin. As always, there are hits and misses over the course of another sprawling season of Saturday Night Live. --Tom Keogh
Beyond Saturday Night Live - The Complete Third Season on DVD
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Stills from Saturday Night Live - The Complete Third Season (click for larger image)
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