Boxed Sets

Alfred Hitchcock - The Masterpiece Collection (Psycho / Vertigo / Rear Window / The Birds / Shadow of a Doubt / Family Plot / Frenzy / The Man Who Knew Too Much / Marnie / Rope / Saboteur / Topaz / Torn Curtain / The Trouble with Harry)

Masterpiece indeed. With 14 films, each supplemented with numerous documentaries, commentaries, and other bonus materials, Alfred Hitchcock - The Masterpiece Collection will be the cornerstone for any serious DVD library. Packaged in a beautiful, conversation-starting velvet box, the individual discs inside come four to a case, decorated with original poster art. No doubt opinionated fans will argue about what should fall under the rubric of "masterpiece" in Hitchcock's body of work, but with the bona fide classics Vertigo, Psycho, and The Man Who Knew Too Much, there's plenty of timeless movie magic here. Eye-popping transfers and gorgeous sound make this set one of the must-have releases of the year.

Should the Hitchcock fan have the energy for more after imbibing on the movies themselves, a bonus disc provides additional documentaries. These include a revealing interview in which the master of suspense discusses, among other things, how much he dislikes working with method actors, going so far as to name names (we're talking about you, Jimmy Stewart and Montgomery Clift). In an American Film Institute lifetime achievement ceremony, the master of suspense is praised by the likes of Stewart and Ingrid Bergman, and seems to be suffering from severe boredom as celebrities pile on the flattery. Then Hitchcock opens his mouth to accept the award, delivering an endlessly witty stream of perfect bon mots that prove once again that he was a master of high comedy as well. Revealing documentaries about the making of Psycho and The Birds round out the feast of extras. The 36-page booklet, filled mostly with stills and poster art, provides little new information about the films.--Ryan Boudinot

Films Included in Alfred Hitchcock - The Masterpiece Collection

Saboteur
Robert Cummings stars as Barry Kane, a patriotic munitions worker who is falsely accused of sabotage, in this wartime thriller from Alfred Hitchcock. Plastered across the front page of every newspaper and hated by the nation, Kane's only hope of clearing his name is to find the real villain. The script as a whole is a clever one--Algonquin wit Dorothy Parker shares a screenwriting credit, and her trademark zingers make for a terrific mix of humor and suspense. Saboteur is a pleasure whether you're a die-hard Hitchcock fan or just someone who likes a good nail-biter. --Ali Davis

Shadow of a Doubt
Alfred Hitchcock considered this 1943 thriller to be his personal favorite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920's serial killer known as "The Merry Widow Murderer," the movie sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the façade of small-town tranquility to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon

Rope
An experimental film masquerading as a standard Hollywood thriller, Rope is simple and based on a successful stage play: two young men (John Dall and Farley Granger) commit murder, more or less as an intellectual exercise. They hide the body in their large apartment, then throw a dinner party. Will the body be discovered? Director Alfred Hitchcock, fascinated by the possibilities of the long-take style, decided to shoot this story as though it were happening in one long, uninterrupted shot. Since the camera can only hold one 10-minute reel at a time, Hitchcock had to be creative when it came time to change reels, disguising the switches as the camera passed behind someone's back or moved behind a lamp. James Stewart, as a suspicious professor, marks his first starring role for Hitchcock, a collaboration that would lead to the masterpieces Rear Window and Vertigo. --Robert Horton

Rear Window
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. At deeper levels, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland

The Trouble with Harry
A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighborhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. But for now, The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. --Tom Keogh

The Man Who Knew Too Much
Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. The Man Who Knew Too Muchis the work of a master in his prime. --Tom Keogh

Vertigo
Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson

Psycho
For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. --Jim Emerson

The Birds
Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films. --Robert Horton

Marnie
Sean Connery, fresh from the second Bond picture, From Russia with Love, is a Philadelphia playboy who begins to fall for Tippi Hedren's blonde ice goddess only when he realizes that she's a professional thief; she's come to work in his upper-crust insurance office in order to embezzle mass quantities. His patient program of investigation and surveillance has a creepy, voyeuristic quality that's pure Hitchcock, but all's lost when it emerges that the root of Marnie's problem is phobic sexual frigidity, induced by a childhood trauma. Luckily, Sean is up to the challenge. As it were. Not even D.H. Lawrence believed as fervently as Hitchcock in the curative properties of sexual release. --David Chute

Torn Curtain
Paul Newman and Julie Andrews star in what must unfortunately be called one of Alfred Hitchcock's lesser efforts. Still, sub-par Hitchcock is better than a lot of what's out there, and this one is well worth a look. Newman plays cold war physicist Michael Armstrong, while Andrews plays his lovely assistant-and-fiancée, Sarah Sherman. Armstrong has been working on a missile defense system that will "make nuclear defense obsolete," and naturally both sides are very interested. All Sarah cares about is the fact that Michael has been acting awfully fishy lately. The suspense of Torn Curtain is by nature not as thrilling as that in the average Hitchcock film--much of it involves sitting still and wondering if the bad guys are getting closer. Still, Hitchcock manages to amuse himself: there is some beautifully clever camera work and an excruciating sequence that illustrates the frequent Hitchcock point that death is not a tidy business. --Ali Davis

Topaz
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh

Frenzy
Alfred Hitchcock's penultimate film, written by Anthony Shaffer (who also wrote Sleuth), this delightfully grisly little tale features an all-British cast minus star wattage, which may have accounted for its relatively slim showing in the States. Jon Finch plays a down-on-his-luck Londoner who is offered some help by an old pal (Barry Foster). In fact, Foster is a serial killer the police have been chasing--and he's framing Finch. Which leads to a classic Hitchcock situation: a guiltless man is forced to prove his innocence while eluding Scotland Yard at the same time. Spiked with Hitchcock's trademark dark humor, Frenzy also features a very funny subplot about the Scotland Yard investigator (Alec McCowen) in charge of the case, who must endure meals by a wife (Vivien Merchant) who is taking a gourmet-cooking class. --Marshall Fine

Family Plot
Alfred Hitchcock's final film is understated comic fun that mixes suspense with deft humor, thanks to a solid cast. The plot centers on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine

14 of the finest works from the universally acclaimed Master of Suspense come together for the first time in one collection. These captivating landmark films boast three decades of Hollywood legends, including James Stewart, Grace Kelly, Anthony Perkins, Sean Connery and Doris Day. The premium packaging and collectible book make Alfred Hitchcock: The Masterpiece Collection the must-own, definitive anthology of gripping works by a true genius.

30 Rock - Season 1

Those who forget the past are condemned to repeat it. Remember Arrested Development? Smartest, funniest show on television. A critics' darling. An Emmy-winner for Best Comedy Series. But no one watched, and it was cancelled. Will history repeat itself with 30 Rock? It's the smartest, funniest show on television. A critics' darling. An Emmy-winner for Best Comedy Series. And it finished its inaugural season in 137th place! Hopefully, people will discover all that they missed with this Season 1 set and 30 Rock will, better late than never, find the audience it so richly deserves. A behind-the-scenes workplace comedy in the grand tradition of The Mary Tyler Moore Show and The Dick Van Dyke Show, 30 Rock stars comedy geek goddess Tina Fey as Liz Lemmon, who juggles her hapless personal life with her chaotic career as the producer and head writer of an SNL-ish sketch comedy show. She has a new boss, cunning and ruthless GE executive Jack Donaghy (Golden Globe and Screen Actors Guild Award-winner Alec Baldwin), who insists on being her mentor, and a new star, medicated, loose-cannon comedian Tracy Jordan (Tracy Morgan), who steals the spotlight from the show's flighty star, Jenna Maroney (Jane Krakowski).

Briskly paced and perfectly cast, 30 Rock rewards viewers with brilliant dialogue (when Liz asks Jack why he is dressed in a tuxedo with no formal event to attend, he coolly responds, "It's after six; what am I, a farmer?") and fresh characters you haven't seen on a hundred other sitcoms. Jack McBrayer is the series' scene-stealing breakout star as NBC page Kenneth, a sweet and innocent "rube." The ensemble's seemingly spontaneous byplay invites repeat viewings to catch jokes and sly bits of business you might have missed (in "Tracy Does Conan," listen for the initial confusion over how to pronounce Tracy's less-than-ethical physician, Dr. Spaceman, or, in "The Hair and the Head," watch for the Katie Couric slur on the wall of what is purported to be NBC anchor Brian Williams' trashed office). In a season full of gems (including "Black Tie," featuring Paul Reubens as severely inbred royalty), there are only a couple of comparative clunkers, but the pleasure of this ensemble's company more than compensates. 30 Rock is highly recommended for people like Kenneth who just love television so much. And by the hammer of Thor, watch season 2! --Donald Liebenson

No Description Available.
Genre: Television
Rating: NR
Release Date: 4-SEP-2007
Media Type: DVD

House, M.D. - Season One

He pops pills, watches soaps, and always, always says what's on his mind. He's Dr. Gregory House (Emmy nominee Hugh Laurie, Blackadder). Producers David Shore, Bryan Singer, Katie Jacobs, and Paul Attanasio haven't rewritten the hospital drama--at heart, it's a cross between St. Elsewhere, ER, and C.S.I.--but they've infused a moribund genre with new life and created one of TV's most compelling characters. More than any previous medical procedural, it resembles Attanasio's underrated Gideon's Crossing, but House is lighter on its feet. As fascinating as he is, the show wouldn't work as well if it were all House all the time (that would be like Sherlock Holmes without Watson or Moriarty). Fortunately, he's joined by an intriguing cast of characters, portrayed by a combination of experienced vets (Omar Epps, Lisa Edelstein, Tony winner Robert Sean Leonard) and new faces (Jennifer Morrison, Jesse Spencer). Aside from the complicated cases they tackle each week, the sparks really fly when House's brilliant, if naïve charges are put to the test--and as the head of a teaching hospital, it's his job to test them (although his tough love approach is constantly landing him in hot water with Edelstein's administrator). From the first episode, House attracted a talented array of guests, including Robin Tunney ("Pilot"), Joe Morton ("Role Model"), and Patrick Bauchau ("Cursed") as Spencer's father. In addition, Chi McBride and Sela Ward appear frequently (with Ward returning for the second season). Viewers who first watched these 22 episodes on Fox will be gratified to note that the music has survived the transition to disc, such as the Rolling Stones' "You Can't Always Get What You Want," as featured in both the pilot and season finale ("Honeymoon"). The only apparent omission is the credit theme (Massive Attack's "Teardrop") from the pilot. --Kathleen C. Fennessy

Go deeper into the medical mysteries of House TV s most compelling new drama as all 22 Season One episodes and exclusive bonus features come to DVD! Hugh Laurie stars as the brilliant but sarcastic Dr. Gregory House a maverick physician who is devoid of bedside manner. While his behavior can border on antisocial Dr. House thrives on the challenge of solving the medical puzzles that other doctors give up on. Together with his hand-picked team of young medical experts he ll do whatever it takes in the race against the clock to solve the case. Check out each gripping episode featuring some of TV s hottest guest stars including Carmen Electra Chi McBride Scott Foley and Sela Ward. It s the intriguing new series TV Guide s Matt Roush hails as the uncommon cure for the common medical drama. System Requirements:Starring: Hugh Laurie Omar Epps Jennifer Morrison Jesse Spencer Robert Sean Leonard Lisa Edelstein Running Time: 973 Min. Copyright Universal Studios Home Entertainment 2005Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025192849121 Manufacturer No: 28491

House, M.D. - Season Three

Two-time Golden Globe Winner and Primetime Emmy Award nominee Hugh Laurie is back making "House" calls in all 24 engaging episodes of this hit medical series! Dr. Gregory House (Laurie) still has the most unapologetically prickly bedside manner ever but his genius for solving medical mysteries other practitioners can't has earned him the respect of his team. In this provocative and compelling season House's unpredictable cases - from killer germs to killer secrets - strain his already tenuous relationship with his co-workers and put his own health at risk. Take the doctor's orders: make House: Season Three a habit!System Requirements:Running Time: 219 Mins.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025195008136 Manufacturer No: 61100973

The cantankerous and brilliant Dr. House (Golden Globe winner Hugh Laurie) is back for a third season of the hit drama House, which picks up with his being shot at the end of season two and ends with his staff dramatically refusing to put up with his oddball (and borderline abusive) demands. Each of the 24 episodes, which aired on FOX from 2006 to 2007, is included in this 5-disc set. Fans of the drama will be happy to hear that the formula remains the same: Each show begins with a medical dilemma that's so severe and life-threatening that only Dr. House can diagnose and fix the problem, even if it goes against conventional medical rules. His put-upon boss Cuddy (Lisa Edelstein) is back, as are his young charges Foreman (Omar Epps), Cameron (Jennifer Morrison), and Chase (Jesse Spencer). Oncologist Wilson (Tony winner Robert Sean Leonard), who is House's best friend by default, also returns to support (and infuriate) the cranky doctor. Speaking of cranky, House's difficult nature proves to bite him in the rear. In a six-episode arc, the Vicodin-popping House meets his match after he antagonizes the wrong patient, police officer Michael Twitter (David Morse, who played a compassionate physician on St. Elsewhere). Hell hath no fury like a patient poked and prodded like a guinea pig, and Twitter makes it his business to make House's life miserable. But since the show is called House, viewers are safe in assuming that House will not be rotting his life away in a jail cell. After all, the excitement of the show is driven by his unorthodox treatment of patients. As Cuddy succinctly points out, "You just keep on going until you come up with something so insane it's usually right." Look for a slew of excellent guest stars (rocker Dave Matthews, Charles S. Dutton, Piper Perabo, John Larroquette) to help stir things up. The episodes are as compelling as ever, focusing on a morbidly obese patient in denial, an autistic child, and a comatose man that House insists on "waking" up. The bonus materials include Morrison and Edelstein doing scenes in Valley Girl-speak and a featurette on Laurie's all-star charity group called Band from TV (Laurie plays piano). --Jae-Ha Kim

House, M.D. - Season Two

Golden Globe winner Hugh Laurie is on call as sardonic Dr. Gregory House in Season Two of the smash-hit House television s most intelligent and provocative drama. This 6-disc collection features all 24 innovative episodes exclusive bonus materials and some of today's brightest guest stars including Sela Ward Ron Livingston LL Cool J and Cynthia Nixon. Be a part of this medical mystery-solving team as House and his staff take on baffling cases in the gripping show critics are calling "both hilarious and heartbreaking; this could be network TV s best current series." David Kronke Los Angeles Daily News.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025192960024 Manufacturer No: 61029600

The overall strength of the second season of House, M.D. proves that its first-year success wasn't a fluke. This season starts with Dr. House (Golden Globe winner Hugh Laurie) pursuing his ex-wife Stacy (Sela Ward) and ending with a tragedy that could potentially be deadly for himself and two colleagues. The premise of each show follows a set routine--a patient is brought in with unusual symptoms; House challenges his trio of underlings to diagnose the problem; they treat the patient, usually incorrectly the first few tries; and then at the very last minute--through a revelation that often has little to do with the patient--House figures out what's wrong and saves the day. It would be easy for this set up to grow old fast. But because of the smart writing, nuanced acting, and believability of the characters (who're often dealing with unbelievable scenarios), the formula works on each of the 24 episodes that aired on Fox during the 2005-2006 season. Viewers have been conditioned by the Marcus Welbys of the TV world to think of doctors as saviors. Even on ER, the most narcissistic physician was selfless at heart. But House is a different breed. When he's at an off-track betting parlor and a woman collapses, he doesn't miss a beat. Still eying his race on television, he asks, "Is anybody here a doctor?" He'll mock a sick patient's complaints with a sarcastic, "Boo hoo!" And, if there happens to be a dead body around, he has no qualms about shooting it if he believes that could help diagnose another gun-shot victim.

Not that he's any more reasonable or compassionate to his boss Cuddy (Lisa Edelstein), his oncologist best friend Wilson (Tony winner Robert Sean Leonard), or his young charges Foreman (Omar Epps), Cameron (Jennifer Morrison), and Chase (Jesse Spencer). He instructs his doctors to break into patients' homes as if they're cat burglars. He does not know the meaning of the phrase "politically correct." But because he spits out insults (as if he has a mild case of Tourette's) equally to both his patients and colleagues, the latter never flinch at his constant stream of inappropriateness. When his three young doctors storm into his office to report the declining condition of a patient by blurting out, "We have rectal bleeding," House says, "What? All three of you?" To sensitive Wilson, who is trying to get some work done without being interrupted, House says, "I know you're in there. I can hear you caring." And when Foreman's father says, "My son says you're a manipulative bastard," House replies, "It's a pet name. I call him Dr. Bling." Of course House actually does care about his patients, but he views a good bedside manner as the luxury of a doctor who has a healthy patient. But dying patients with seemingly incurable diseases need something more. They need House. --Jae-Ha Kim

The Office - Season Three

Fill your Inbox with hilarious moments from The Office Season Three in this four-disc collection that's crammed with extensive bonus features and all 22 episodes of the 2006 Primetime Emmy Award winner for Outstanding Comedy Series! Steve Carell is back in his Golden Globe-winning role as earnest but clueless boss Michael Scott who can't help but contribute his own irreverent commentary to the daily happenings at the Scranton branch of the Dunder Mifflin paper company. As the staff deals with potential office closures mergers romances and advancement Michael's always there to say all the wrong things at all the right times. Including five supersized episodes and over three hours of deleted scenes The Office Season Three is packed with classic moments from the show that TIME magazine praises for "satirizing the culture of coffee cubicles and Chili's with heart and laser precision."Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: PG UPC: 025195008204 Manufacturer No: 61100979

After a shaky first season of finding its footing, and a second season of establishing itself as one of the funniest shows on TV, the third season of The Office finds the show in its strongest form yet, thanks in large part to the addition of some new characters and stronger plotlines centered on office romances. A corporate merger brings the Stamford staff to the Scranton office of Dunder-Mifflin a quarter of the way through the season giving a nice boost to the season's arc of story lines, especially the addition of Andy (Ed Helms, another Daily Show alum in a role that seems custom made for him) who serves as yet another foil to Dwight (Rainn Wilson) in his unending fight for Michael's approval. As the season begins, the focus is more on Michael (Steve Carell) and his unique "leadership" style in the Scranton office. "A good boss gruntles the disgruntled," and despite his best intentions, he proceeds to somehow screw it up, as in the opening episode, "Gay Witch Hunt," in which he accidentally outs a gay employee. In the second episode, "The Convention," Michael tries to get the party started at the Mid-Market Office Supply Convention ("fun jeans"), and ends up revealing his insecurity about Jim's (John Krasinski) decision to move to Stamford. It leads up to "The Coup," where Dwight meets with Michael's Boss Jan (Melora Hardin) in a misguided attempt to take control of the office. The merger of the two offices into the Scranton location provides the fuel needed to continue the Jim and Pam (Jenna Fischer) subplot as Jim returns with his new girlfriend, Karen (Rashida Jones) who also transferred, and with Pam no longer engaged to Roy, the tension among them increases significantly. Other major plot points this season include: Dwight shows his true feelings for Angela in an excellent climax to one of the funniest subplots on the show; Michael negotiates a raise after learning he barely makes more than his subordinates; new office suck-up Andy is forced into anger management classes; and finally, in what may be the most bizarre company retreat in history, a day at the beach ends with Pam revealing her true feelings for Jim in front of the entire office. The season wraps up in unpredictable fashion when Karen, Michael, and Jim all travel to headquarters to interview for the same position. The strength of this season just continues to solidify The Office's place as the preeminent satire of today's cubicle culture. --Daniel Vancini

The Office - Season One

No Description Available.
Genre: Television
Rating: NR
Release Date: 16-AUG-2005
Media Type: DVD

The British sitcom The Office has the most devoted following this side of Monty Python, so an American remake seemed doomed. Amazingly, the remake actually finds its own enjoyable version of the original's uncanny comedy of embarrassment. Office manager Michael Scott (Steve Carell, The Daily Show, The 40 Year-Old Virgin) believes he's the beloved leader of the Scranton, Pennsylvania, branch of a paper products company--but his relentless and painfully forced efforts at comedy creep out everyone around him, including paranoid Dwight (Rainn Wilson, who had a memorable recurring role on Six Feet Under), nervous receptionist Pam (Jenna Fischer, LolliLove), and aimless salesman Jim (John Krasinski, A New Wave), who's smitten with the already engaged Pam. The pilot episode suffers from closely replicating the British pilot, but after that The Office finds its own footing, turning diversity training, an office birthday party, and a basketball game into excruciating yet hypnotically funny rituals of humiliation. Carell, though clearly talented, can't match Ricky Gervais' unique performance as the aggressively needy British manager (it's hard to imagine that anyone could); as a result, the supporting roles become more prominent, and Wilson, Fischer, and Krasinski quickly create a rapport that matches and may even exceed that of their British counterparts. Be sure to watch the deleted scenes; remarkably, they're as good as the material that made it on the air in this six-episode season. --Bret Fetzer

Battlestar Galactica - Season Three

The adventure of one of television's finest dramas continues with the complete third season of the Peabody Award-winning Battlestar Galactica. The Colonies' survivors have found their hopes of eluding their Cylon pursuers dashed by an invasion and occupation of their new home. As the fate of all human life hangs in the balance friends become enemies enemies become unexpected allies and decisions are made that will haunt some people for the rest of their lives. Relive all 20 episodes of the season that challenges everything you thought you knew about the Battlestar Galactica universe. Presented in Dolby 5.1 surround sound the 6-disc set features over 15 hours of extensive special features including the DVD exclusive version of the episode "Unfinished Business" containing 25 additional minutes of never-before-seen footage. You won't want to miss a minute of the series considered "one of the best dramas on TV" (Time Magazine).System Requirements:Running Time: 953 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 025195010726 Manufacturer No: 61101285

The third season of Battlestar Galactica got off to a rip-roaring start on New Caprica, where the settlers had found themselves under Cylon occupation at the end of the previous season. Dr. Baltar (James Callis) had been elected President based on his intention to stop looking for Earth and settle on New Caprica, but is now a puppet of the Cylons, forced to sign execution orders for numerous humans, including former President Roslin (Mary McDonnell). A resistance movement is building, however, led by Col. Tigh (Michael Hogan), and assisted by Chief Tyrol (Aaron Douglas) and Samuel Anders (Michael Trucco). Tigh's desperate tactics--including suicide bombers--raise interesting parallels to the U.S. war in Iraq, and he finds he has to make an even tougher choice. Thanks to Admiral Adama's (Edwards James Olmos) return and the unexpected help of Boomer (Grace Park), the colonists escape, then begin a series of trials in order to convict all of the Cylon collaborators, culminating in the explosive trial of Baltar himself. In a boxing-metaphor episode, Apollo (Jamie Bamber) and Starbuck (Katee Sackhoff) resume their mutual attraction with a surprising outcome. After the exciting beginning, Battlestar Galactica sagged a little in the middle of the third season (as it did in the second season) with its ship-bound episodes, but caught speed again at the end. The quest to find Earth, the unexpected loss of a major character, and the revealing of four of the final five Cylons kept viewers coming back to a series that blends action, drama, and universal questions of loyalty, faith, and justice in a way that transcends the science-fiction setting. With Dean Stockwell, Lucy Lawless, and Tricia Helfer as Cylons 1, 3, and 6, Mark Sheppard as defense attorney Romo Lampkin, Alessandro Juliani as Lt. Gaeta, Kandyse McClure as Petty Officer "Dee" Dualla, Nicki Clyne as Crewman Specialist Cally, Kate Vernon as Ellen Tigh, and Rekha Sharma as presidential aide Tory Foster.

Every episode on the DVD set has executive producer Ronald Moore's podcast commentaries (occasionally joined by others) and almost every episode has deleted scenes, including a different (and less effective) version of the season's final surprise. Also included are bonus commentaries, the Resistance webisodes (10 episodes, 26 minutes total) that provide more of life on occupied New Caprica, executive producer David Eicks' "video blog" featurettes, and an extended version of "Unfinished Business" (mostly adding non-Starbuck-Apollo material). --David Horiuchi

Frankenstein - The Legacy Collection (Frankenstein / Bride of / Son of / Ghost of / House of)

For the first time ever the original Frankenstein film comes to DVD in this extraordinary Legacy Collection. Included in the collection is the original classic starring the renowned Boris Karloff and four timeless sequels featuring such legendary actors as Bela Lugosi and Lon Chaney Jr. These are the landmark films that inspired an entire genre of movies and continue to be major influences on motion pictures to this day.BONUS MATERIALS:Stephen Sommers on Universal's Classic Monster: Frankenstein's MonsterShe's Alive! Creating the Bride of FrankensteinThe Frankenstein FilesFrankenstein ArchivesBoo! A Short FilmTheatrical TrailerSystem Requirements: Running Time 68 MinFormat: DVD MOVIE Genre: TELEVISION/CLASSIC Rating: NR UPC: 025192446122 Manufacturer No: 24461

Jurassic Park Adventure Pack (Jurassic Park/ The Lost World: Jurassic Park/ Jurassic Park III)

Jurassic Park
Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T-rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh

The Lost World - Jurassic Park
In the low tradition of knockoff horror flicks best seen (or not seen) on a drive-in movie screen, Steven Spielberg's sequel to Jurassic Park is a poorly conceived, ill-organized film that lacks story and logic. Screenwriter David Koepp strings along a number of loose ideas while Jeff Goldblum returns as Ian Malcolm, the quirky chaos theoretician who now reluctantly agrees to go to another island where cloned dinosaurs are roaming freely. Along with his girlfriend (Julianne Moore) and daughter, Malcolm has to deal with hunters, environmentalists, and corporate swine who stupidly bring back a big dino to Southern California, where it runs amok, of course. Spielberg doesn't seem to care that the pieces of this project don't add up to a real movie, so he hams it up with big, scary moments (with none of the artfulness of those in Jurassic Park) and smart-aleck visual gags (a yapping dog in a suburb mysteriously disappears when a hungry T-rex stomps by). A complete bust.--Tom Keogh

Jurassic Park III
Surpassing expectations to qualify as an above-average sequel, Jurassic Park III is nothing more or less than a satisfying popcorn adventure. A little cheesier than the first two Jurassic blockbusters, it's a big B movie with big B-list stars (including Laura Dern, briefly reprising her Jurassic Park role), and eight years of advancing computer-generated-image technology give it a sharp edge over its predecessors. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons and a new villain, the spinosaurus--more dazzling and threatening than ever. These advancements justify the sequel, and its contrived plot is just clever enough to span 90 minutes without wearing out its welcome.

Posing as wealthy tourists, an adventurous couple (William H. Macy, Téa Leoni) convince paleontologist Alan Grant (Sam Neill) and his protégé (Allesandro Nivola) to act as tour guides on a flyover trip to Isla Sorna, the ill-fated "Site B" where all hell broke loose in The Lost World: Jurassic Park. In truth, they're on a search-and-rescue mission to find their missing son (Trevor Morgan), and their plane crash is just the first of several enjoyably suspenseful sequences. Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. rex versus spinosaurus smack-down), adequate doses of wry humor (from the cowriters of Election), and an upbeat ending that's corny but appropriate, proving that the symptoms of sequelitis needn't be fatal. --Jeff Shannon