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Pride & Prejudice

Pride & Prejudice by Joe Wright (IV) from Universal Studios

    Literary adaptations just don't get any better than director Joe Wright's 2005 version of Jane Austen's Pride & Prejudice. The key word here is adaptation, because Wright and gifted screenwriter Deborah Moggach have taken liberties with Austen's classic novel that purists may find objectionable, but in this exquisite film their artistic decisions are entirely justified and exceptionally well executed. It's a more rural England that we see here, circa 1790 (as opposed to Austen's early 19th century), in which Elizabeth Bennet (Keira Knightley) is one of several sisters primed for marriage, with an anxious mother (Brenda Blethyn) only too desperate to see her daughters paired off with the finest, richest husbands available. Elizabeth is strong-willed and opinionated, but her head (not to mention her pride and prejudice) lead her heart astray when she meets the wealthy Mr. Darcy (Matthew Macfadyen), whose own sense of decency and discretion (not to mention his pride and prejudice) prevent him from expressing his mutual affection. They're clearly meant for each other, and as Knightley's performance lights up the screen (still young enough to be girlishly impertinent, yet wise beyond her 20 years), Austen's timeless romance yields yet another timeless adaptation, easily on par with the beloved BBC miniseries that has been embraced by millions since originally broadcast in 1995. Individual tastes will vary as to which version should be considered "definitive," but with a stellar supporting cast including Judi Dench and Donald Sutherland, this impeccable production achieves its own kind of perfection. --Jeff Shannon

    One of the greatest love stories of all time, Pride & Prejudice, comes to the screen in a glorious new adaptation starring Keira Knightley. When Elizabeth Bennett (Knightley) meets the handsome Mr. Darcy (Matthew MacFadyen), she believes he is the last man on earth she could ever marry. But as their lives become intertwined in an unexpected adventure, she finds herself captivated by the very person she swore to loathe for all eternity. Based on the beloved masterpiece by Jane Austen, it is the classic tale of love and misunderstanding that sparkles with romance, wit and emotional force. Critics are calling it "Exhilarating. A joy from start to finish" (Carina Chocano, Los Angeles Times).

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    The Office - Season Three

    The Office - Season Three from National Broadcasting Company (NBC)

      Fill your Inbox with hilarious moments from The Office Season Three in this four-disc collection that's crammed with extensive bonus features and all 22 episodes of the 2006 Primetime Emmy Award winner for Outstanding Comedy Series! Steve Carell is back in his Golden Globe-winning role as earnest but clueless boss Michael Scott who can't help but contribute his own irreverent commentary to the daily happenings at the Scranton branch of the Dunder Mifflin paper company. As the staff deals with potential office closures mergers romances and advancement Michael's always there to say all the wrong things at all the right times. Including five supersized episodes and over three hours of deleted scenes The Office Season Three is packed with classic moments from the show that TIME magazine praises for "satirizing the culture of coffee cubicles and Chili's with heart and laser precision."Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: PG UPC: 025195008204 Manufacturer No: 61100979

      After a shaky first season of finding its footing, and a second season of establishing itself as one of the funniest shows on TV, the third season of The Office finds the show in its strongest form yet, thanks in large part to the addition of some new characters and stronger plotlines centered on office romances. A corporate merger brings the Stamford staff to the Scranton office of Dunder-Mifflin a quarter of the way through the season giving a nice boost to the season's arc of story lines, especially the addition of Andy (Ed Helms, another Daily Show alum in a role that seems custom made for him) who serves as yet another foil to Dwight (Rainn Wilson) in his unending fight for Michael's approval. As the season begins, the focus is more on Michael (Steve Carell) and his unique "leadership" style in the Scranton office. "A good boss gruntles the disgruntled," and despite his best intentions, he proceeds to somehow screw it up, as in the opening episode, "Gay Witch Hunt," in which he accidentally outs a gay employee. In the second episode, "The Convention," Michael tries to get the party started at the Mid-Market Office Supply Convention ("fun jeans"), and ends up revealing his insecurity about Jim's (John Krasinski) decision to move to Stamford. It leads up to "The Coup," where Dwight meets with Michael's Boss Jan (Melora Hardin) in a misguided attempt to take control of the office. The merger of the two offices into the Scranton location provides the fuel needed to continue the Jim and Pam (Jenna Fischer) subplot as Jim returns with his new girlfriend, Karen (Rashida Jones) who also transferred, and with Pam no longer engaged to Roy, the tension among them increases significantly. Other major plot points this season include: Dwight shows his true feelings for Angela in an excellent climax to one of the funniest subplots on the show; Michael negotiates a raise after learning he barely makes more than his subordinates; new office suck-up Andy is forced into anger management classes; and finally, in what may be the most bizarre company retreat in history, a day at the beach ends with Pam revealing her true feelings for Jim in front of the entire office. The season wraps up in unpredictable fashion when Karen, Michael, and Jim all travel to headquarters to interview for the same position. The strength of this season just continues to solidify The Office's place as the preeminent satire of today's cubicle culture. --Daniel Vancini

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      The Office - Season One

      The Office - Season One from National Broadcasting Company (NBC)

        No Description Available.
        Genre: Television
        Rating: NR
        Release Date: 16-AUG-2005
        Media Type: DVD

        The British sitcom The Office has the most devoted following this side of Monty Python, so an American remake seemed doomed. Amazingly, the remake actually finds its own enjoyable version of the original's uncanny comedy of embarrassment. Office manager Michael Scott (Steve Carell, The Daily Show, The 40 Year-Old Virgin) believes he's the beloved leader of the Scranton, Pennsylvania, branch of a paper products company--but his relentless and painfully forced efforts at comedy creep out everyone around him, including paranoid Dwight (Rainn Wilson, who had a memorable recurring role on Six Feet Under), nervous receptionist Pam (Jenna Fischer, LolliLove), and aimless salesman Jim (John Krasinski, A New Wave), who's smitten with the already engaged Pam. The pilot episode suffers from closely replicating the British pilot, but after that The Office finds its own footing, turning diversity training, an office birthday party, and a basketball game into excruciating yet hypnotically funny rituals of humiliation. Carell, though clearly talented, can't match Ricky Gervais' unique performance as the aggressively needy British manager (it's hard to imagine that anyone could); as a result, the supporting roles become more prominent, and Wilson, Fischer, and Krasinski quickly create a rapport that matches and may even exceed that of their British counterparts. Be sure to watch the deleted scenes; remarkably, they're as good as the material that made it on the air in this six-episode season. --Bret Fetzer

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        The Office - Season Two

        The Office - Season Two from National Broadcasting Company (NBC)

          It s time to clock in for Season Two of The Office the hilarious and witty TV-mockumentary starring Steve Carell (The 40-Year-Old Virgin) in his Golden Globe Award-winning role. From sexual politics to performance reviews to email espionage the employees at Dunder-Mifflin are there to get the job done or not. Join earnest but clueless boss Michael Scott (Carell) Assistant to the Regional Manager Dwight (Rainn Wilson) receptionist Pam (Jenna Fischer) sales rep Jim (John Krasinski) and the office temp Ryan (B.J. Novak) as they make the daily grind a lot more laughable. Fully staffed with 22 outrageous episodes and hours of side-splitting bonus features it s the must-own collection that caused Time magazine to declare "Never has a lousy job been so much fun!"System Requirements:Running Time: 127 MinutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025193037824 Manufacturer No: 30378

          Thank goodness for second seasons. While the first season of The Office started dubiously with a pilot that was just a poor copy of the original British version, it did manage to provide enough good material to stay on the air and hint that better was yet to come. And here it is. The second season of The Office finds its own footing and manages to do the near-impossible by not only breaking free of the gravity of that excellent BBC version to stand solidly on its own, but establishing it as one of the best comedies on TV. Season 2 starts out strong with "The Dundies," where Regional Manager, Michael Scott (Steve Carell, The 40 Year Old Virgin) hosts the company's annual office-awards event with his signature less-than-perfect grace. Things seem to only get worse for him this season as he bumbles a potential affair with his boss, Jan (Melora Harding), angers his employees by reading their emails ("Email Surveillance"), cooks his foot ("The Injury"), and accidentally destroys the warehouse with a forklift in "Boys and Girls," one of the season's highlight episodes. Always at his side is the clueless paranoid Dwight Schrute (Rainn Wilson), the Assistant Regional Manager ("Assistant to the Regional Manager," Michael always reminds him in one of the show's running jokes).

          One of the reasons for the show's improvement in the second season is increased focus on Dwight's character, who's becoming something of a pop-culture icon right down to having his own bobblehead. He in turn provides so much good material for Pam (Jenna Fischer) and Jim (John Krasinsky) to play off of, to their own amusement. But of course, Pam and Jim's simmering relationship is the real meat of the show, as their compatibility becomes more obvious, Jim's feelings for her continue to grow, and Pam struggles with the impending marriage to her less-than-caring boyfriend, Roy (David Denman). Things have to come to a head, and they do nicely in the final episode, "Casino Night." As strong as the leading characters are in The Office, it's the excellent peripheral characters that really make the show hilarious, especially dimwitted office-slug Kevin (Brian Baumgartner), long-suffering intern Ryan (B.J. Novak), office-ditz Kelly (Mindy Kaling), and ultra-conservative Angela (Angela Kinsey). As with season 1, this season contains excellent bonus features to give you an excuse to spend more time at The Office, including the fake PSAs, commentaries, Michael's The Faces of Scranton movie, the ten stand-alone webisodes, and deleted scenes. --Daniel Vancini

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          Monk - Season Five

          Monk - Season Five by Jerry Levine from Universal Studios

            It's time to tidy up for another season with Primetime Emmy Award and Golden Globe winner Tony Shalhoub in all 16 Season Five episodes of Monk, television's most fresh and funny series. Gumshoe Adrian Monk would never actually have gum on his well-polished shoes: in addition to intellect and instinct, he also has Obsessive Compulsive Disorder. Though his eccentric traits bewilder his colleagues Natalie Teeger (Traylor Howard), Captain Stottlemeyer (Ted Levine) and Lieutenant Disher (Jason Gray-Stanford), Monk's attention to detail keeps crime—and grime—off the streets. Included in this highly collectible, 4-disc set are both the black & white and color versions of the noir-style episode "Mr. Monk and the Leper," obsessively good bonus features and the pilot episode of the hit comedy-drama Psych. Follow the clues to Season Five of Monk, the quirky and original show TV Guide hails as "alternatively hilarious and touching."

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            American Graffiti (Collector's Edition)

            American Graffiti (Collector's Edition) by George Lucas from Universal Studios

              Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff Shannon

              Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes. --Jeff Shannon

              List Price: $19.98
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              30 Rock - Season 1

              30 Rock - Season 1 from Universal Studios

                No Description Available.
                Genre: Television
                Rating: NR
                Release Date: 4-SEP-2007
                Media Type: DVD

                Those who forget the past are condemned to repeat it. Remember Arrested Development? Smartest, funniest show on television. A critics' darling. An Emmy-winner for Best Comedy Series. But no one watched, and it was cancelled. Will history repeat itself with 30 Rock? It's the smartest, funniest show on television. A critics' darling. An Emmy-winner for Best Comedy Series. And it finished its inaugural season in 137th place! Hopefully, people will discover all that they missed with this Season 1 set and 30 Rock will, better late than never, find the audience it so richly deserves. A behind-the-scenes workplace comedy in the grand tradition of The Mary Tyler Moore Show and The Dick Van Dyke Show, 30 Rock stars comedy geek goddess Tina Fey as Liz Lemmon, who juggles her hapless personal life with her chaotic career as the producer and head writer of an SNL-ish sketch comedy show. She has a new boss, cunning and ruthless GE executive Jack Donaghy (Golden Globe and Screen Actors Guild Award-winner Alec Baldwin), who insists on being her mentor, and a new star, medicated, loose-cannon comedian Tracy Jordan (Tracy Morgan), who steals the spotlight from the show's flighty star, Jenna Maroney (Jane Krakowski).

                Briskly paced and perfectly cast, 30 Rock rewards viewers with brilliant dialogue (when Liz asks Jack why he is dressed in a tuxedo with no formal event to attend, he coolly responds, "It's after six; what am I, a farmer?") and fresh characters you haven't seen on a hundred other sitcoms. Jack McBrayer is the series' scene-stealing breakout star as NBC page Kenneth, a sweet and innocent "rube." The ensemble's seemingly spontaneous byplay invites repeat viewings to catch jokes and sly bits of business you might have missed (in "Tracy Does Conan," listen for the initial confusion over how to pronounce Tracy's less-than-ethical physician, Dr. Spaceman, or, in "The Hair and the Head," watch for the Katie Couric slur on the wall of what is purported to be NBC anchor Brian Williams' trashed office). In a season full of gems (including "Black Tie," featuring Paul Reubens as severely inbred royalty), there are only a couple of comparative clunkers, but the pleasure of this ensemble's company more than compensates. 30 Rock is highly recommended for people like Kenneth who just love television so much. And by the hammer of Thor, watch season 2! --Donald Liebenson

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                Love Actually (Widescreen Edition)

                Love Actually (Widescreen Edition) from Universal Studios

                  With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff Shannon

                  "Get ready for fun!" (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood) Love Actually is the ultimate romantic comedy from the makers of Bridget Jones's Diary and Notting Hill. Funny, irresistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns. Fall under the spell of Love Actually and share the laughs and charm again and again.

                  List Price: $12.98
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                  Hot Fuzz (Widescreen Edition)

                  Hot Fuzz (Widescreen Edition) by Edgar Wright from Universal Studios

                    London-based officer Nicholas Angel is transferred to a rural village where he teams up with PC Danny Butterman and they investigate a series murders deemed \""accidents\"" by the locals.
                    Genre: Feature Film-Action/Adventure
                    Rating: R
                    Release Date: 31-JUL-2007
                    Media Type: DVD

                    In Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. Fennessy

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                    Monk - Season One

                    Monk - Season One by Jerry Levine from Universal Studios

                      A quirky obsessive-compulsive detective with unconventional investigative methods solves some of San Francisco's most puzzling and unusual cases.
                      Genre: Television
                      Rating: NR
                      Release Date: 15-JUN-2004
                      Media Type: DVD

                      The ranks of fictional genius gumshoes were joined by former San Francisco detective Adrian Monk (Tony Shalhoub) in the summer of 2002, and he is indeed a welcome addition. Cable channel USA Network introduced Monk, a bright comedy-drama series about an obsessive-compulsive sleuth drummed out of police work following the murder of his wife and a subsequent spike in his overwhelming neuroses. Once a rising star in the homicide department, the twitchy savant is still valuable to Captain Stottlemeyer (Ted Levine), who reluctantly calls on Monk to solve difficult, high-profile murders of judges, billionaires, police informants, and famous attorneys. Monk's talent for finding clues and seeing the big picture in criminal investigations makes him a force to reckon with, but his many phobias (germs, heights, asymmetry, and much, much else) aggravate Stottlemeyer and make Monk completely dependent on a long-suffering assistant, Sharona (Bitty Schram), a single mom who functions as Dr. Watson to Monk's Sherlock Holmes.

                      Each of the 12 episodes included in Monk: The Complete First Season is a delightful mix of clever whodunit puzzler, neurotic schtick, and deepening relationships. Among the latter, the bond between Monk and Sharona is most touching, as the platonic friends, sometimes aghast at how involved they are in each other's lives, surprise themselves with the breadth of their trust and commitment. In "Mr. Monk Goes to the Asylum," Monk is forced into a stay at a mental hospital, where a murderer has convinced him he's crazy; it's Sharona who makes her boss realize he's not. In "Mr. Monk and the Earthquake," it's Monk who rushes to Sharona's aid when he deduces that a lying friend is about to kill her. In almost every episode, Monk is confronted with a phobic limitation he must overcome in order to save the day. The question is whether he will heal enough, one day, to re-join his old squad. For the sake of Monk's winning formula and fans, one has to hope such good news never comes to pass. --Tom Keogh

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