Documentary

October Sky (Special Edition)

Based on the memoir Rocket Boys by Homer H. Hickam Jr., October Sky emerged as one of the most delightful sleepers of 1999--a small miracle of good ol' fashioned movie-making in the cynical, often numbingly trendy Hollywood of the late 20th century. Hickam's true story begins in 1957 with Russia's historic launch of the Sputnik satellite, and while Homer (played with smart idealism by Jake Gyllenhaal) sees Sputnik as his cue to pursue a fascination with rocketry, his father (Chris Cooper) epitomizes the admirable yet sternly stubborn working-man's ethic of the West Virginia coal miner, casting fear and disdain on Homer's pursuit of science while urging his "errant" son to carry on the family business--a spirit-killing profession that Homer has no intention of joining.

As directed by Joe Johnston (The Rocketeer), this wonderful movie is occasionally guilty of overstating its case and sacrificing subtlety for predictable melodrama. But more often the film's tone is just right, and the spirit of adventure and invention is infectiously conveyed through Gyllenhaal and his well-cast fellow rocketeers, whose many failures gradually lead to triumph on their makeshift backwoods launching pad. Capturing time and place with impeccable detail and superbly developed characters (including Laura Dern as an inspiring schoolteacher), October Sky is a family film for the ages, encouraging the highest potential of the human spirit while giving viewers a clear view of a bygone era when "the final frontier" beckoned to the explorer in all of us. --Jeff Shannon

Coalwood, West Virginia, 1957. Working in the coal mines is an inescapable way of life in this small town. When high schooler Homer Hickam, Jr. (Jake Gyllenhaal) sees the Sputnik satellite in the night sky, he dares to break free of the mines and reach for the stars. With the support of his teacher (Laura Dern) and three friends, Homer sets out on an inspiring quest to build his own rocket. Overcoming a poor education, a tough father (Chris Cooper) and a series of misfires, Homer turns his dreams into reality in this incredible true story of hope, determination and triumph. "You'll laugh with it, cry with it, and go away absolutely loving it," says Robert Butler (Knight Ridder News Service) of the critically acclaimed October Sky.

This special edition dvd includes:

*Aiming High: The Story of the Rocket Boys, starring the real Rocket Boys.
*Feature Commentary with Homer Hickam
*Spotlight on Location
*Production Notes
*Theatrical Trailer

Mask (Special Edition)

Peter Bogdanovich directed this sensitive and moving story about a teenage boy, Rocky (Eric Stoltz), who lives with severe facial deformities and poor prognosis for survival beyond childhood. The film concentrates on that threshold-of-adulthood period familiar to past and present 16-year-olds, folding together common experiences of youth (love, hassles with mom, a desire to travel) with the special burdens endured by the hero. Stoltz, absolutely unrecognizable under lots and lots of prosthetic makeup, is quite good, as are Cher (as Rocky's mother) and Sam Elliott (Rocky's father figure). More than a tearjerker, the film is a genuine celebration of all that is most precious in life, even more to those who have nothing to take for granted. --Tom Keogh

Directed by Peter Bogdanovich, the moving and inspirational drama Mask, starring Cher, Eric Stoltz and Sam Elliott, is the extraordinary award-winning film based on the real-life story of Rocky Dennis, a disfigured teenager who overcomes pain, loneliness and prejudice through fierce determination, emerging as an outstanding young man and an inspiration to his classmates and teachers.

The Mask DVD includes the Directors Cut of the film, and as a special bonus, the original Bruce Springsteen soundtrack, which was created for the film but never released in theaters. It contains several of his top hits, such as "Badlands," "Thunder Road" and "Born in the USA.

To Kill a Mockingbird (Universal Legacy Series)

Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood. It's tempting to call this an important "message" movie that should be required viewing for children and adults alike, but this riveting courtroom drama is anything but stodgy or pedantic. As Atticus Finch, the small-town Alabama lawyer and widower father of two, Gregory Peck gives one of his finest performances with his impassioned defense of a black man (Brock Peters) wrongfully accused of the rape and assault of a young white woman. While his children, Scout (Mary Badham) and Jem (Philip Alford), learn the realities of racial prejudice and irrational hatred, they also learn to overcome their fear of the unknown as personified by their mysterious, mostly unseen neighbor Boo Radley (Robert Duvall, in his brilliant, almost completely nonverbal screen debut). What emerges from this evocative, exquisitely filmed drama is a pure distillation of the themes of Harper Lee's enduring novel, a showcase for some of the finest American acting ever assembled in one film, and a rare quality of humanitarian artistry (including Horton Foote's splendid screenplay and Elmer Bernstein's outstanding score) that seems all but lost in the chaotic morass of modern cinema. --Jeff Shannon

When a Southern white woman accuses a black man of rape, the outcome of the trial is a foregone conclusion and no lawyer except Atticus Finch will defend the accused.
Genre: Feature Film-Drama
Rating: NR
Release Date: 6-SEP-2005
Media Type: DVD

Attila

Possession

Modern love and classic romantic passion meet in this lush adaptation of A.S. Byatt's brilliant novel. Academics Roland Michell (Aaron Eckhart) and Maud Bailey (Gwyneth Paltrow) are experts on the work of two different Victorian poets. As they pursue a possible connection between their subjects, the two sleuths begin to stumble toward a romance of their own. Though it necessarily loses some of the depth of Byatt's original, Possession is a worthy adaptation, faithful to the book in both story and spirit. Director Neil LaBute uses clever and visually elegant methods of switching back and forth between time periods, subtly contrasting the prickly moderns and the swoony Victorians without making either pair seem unappealing. The movie also does an excellent job of capturing the exhilaration (and the politics) of intellectual discovery, and feels truly romantic without ever getting icky. Though Paltrow and Eckhart both succeed as the modern leads, the real standouts are Jeremy Northam as Randolph Henry Ash and Jennifer Ehle as Christabel LaMotte. Their passion gives the movie its romantic core and makes the whole search worthwhile. --Ali Davis

Night Gallery - The Complete First Season

The War

Kevin Costner is the big name here, but the film belongs squarely to Elijah Wood, who plays his son. The film deals with the children of a Vietnam veteran in 1970 Mississippi; as their dad (Costner) tries to cope with posttraumatic stress disorder after serving in the war, the kids build a mammoth tree house in the woods--then must defend it against the local white-trash bullies. The film includes a particularly harrowing contest involving a swim across the reservoir of a decrepit water tower; still, director Jon Avnet can't avoid a certain "can't we all just get along" didactic message. That doesn't put a damper on the youthfully natural quality of the child actors, and Costner is actually quite winning as a sensitive, troubled soul. --Marshall Fine

It was a different time…and a different pace. Elijah Wood and Kevin Costner star in a rich feast for the senses from the director of Fried Green Tomatoes. This heartwarming film tells the tale of a close-knit family and their remarkable Mississippi summer of 1970.

With the help of their friends, Stu (Wood) and Lidia Simmons (Lexi Randall) are determined to build the ultimate treehouse, a place of wonder and magic. Their father Stephen (Costner), a newly returned Vietnam vet, has equally high hopes to rebuild his life and fulfill his family's dreams.

Co-starring Mare Winningham, The War will captivate all who fall under its spell. It's a film rich with humor, nostalgia and mesmerizing performances. It is, in the words of the National News Syndicate, "a must-see movie."

Shenandoah

Shenandoah, a film well-liked in its day, recalls Friendly Persuasion and foreshadows The Patriot as it tells of an American clan traumatized by war on native soil. Virginia farmer James Stewart has never owned slaves, owes allegiance to no one beyond his own kin, and adamantly disregards the North-South strife rumbling just over the hill: "This war is not mine and I take no note of it." That changes when youngest son Philip Alford (To Kill a Mockingbird's Jem) is carried off by Yankees, and the family must ride out to reclaim him. Shenandoah has several affecting moments--notably a homefront atrocity--but much of it is lit and played like a television show. Script and direction are formulaic, Stewart falls back on cozy shtick, and the supporting cast is a collection of bland studio contract players. As the closing credit says: "filmed entirely at Universal City." --Richard T. Jameson

One True Thing

Based on Anna Quindlen's bestselling novel, this is a mother-daughter and father-daughter story, two for the price of one. But director Carl Franklin also tries to inject a police-mystery angle that it neither needs nor will support. Renee Zellweger plays a young writer on the rise, who has finally gotten her break for a New York magazine. While home for a birthday party for her nearly famous writer father (William Hurt), she learns that her mother (Meryl Streep) has been diagnosed with cancer. Then her father does the unthinkable: He all but commands her to put her career on hold to take care of her mother and nurse her through her illness. Dad, a popular college professor who has never gotten the literary acclaim he always believed he deserved, essentially checks out--and daughter must play parent to her mother. Strong performances by Streep and Zellweger give this parent-child relationship the heart--and the anger--of the real thing, while Hurt seems slightly disembodied as the self-involved father whose needs have dominated both women. Still, the detective-story aspect (the film is told in flashback, as the cops try to discover whether someone slipped Mom a fatal dose of morphine) is a construct that could have been done without. --Marshall Fine

Dragon: The Bruce Lee Story

Portrays the life and rise of the martial arts star Bruce Lee.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 26-DEC-2005
Media Type: DVD

This enjoyable and touching biography of martial-arts film star Bruce Lee stars Jason Scott Lee (no relation), an actor with a lively face and natural intensity, who makes every moment of this film compelling. Directed by Rob Cohen, Dragon traces Bruce Lee's slow rise over myriad obstacles--most of them race-based--to become an international superstar in films. Lee's origins are oddly set in San Francisco instead of his real home in Seattle, but then again there is plenty of artistic license going on as Cohen explores the actor's psyche through some powerful fantasy sequences. Lauren Holly is good as Lee's wife, Linda (whose book about her late husband inspired this movie). A scene involving Bruce's rescue of son Brandon (who died in a filmmaking accident in 1993) from a murderous spirit is plain spooky. The special-edition DVD release has a widescreen presentation, director interview, featurette, screen tests, closed captioning, optional French soundtrack, and optional Spanish subtitles. --Tom Keogh