MGM DVDs Under $15

Some Like It Hot

Maybe "nobody's perfect," as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St. Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy." Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behavior. The results, however, are sublime. --Robert Horton

When Chicago musicians Joe and Jerry witness a gangland murder they realize that their only escape is to dress as women and join an all-girls band on the way to a tour of Florida.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 22-MAY-2001
Media Type: DVD

Baby Boom

The writing-directing team of Charles Shyer and Nancy Meyers (Father of the Bride) made this sweet satire about a high-powered yuppie executive (Diane Keaton) who unexpectedly becomes a mom and finds she can't successfully integrate the role into her busy life. Typical of the Shyer-Meyers films prior to Myers taking the director's reins on the wonderful Parent Trap, Baby Boom is a little wooden and more sentimental than genuine. But there are entertaining moments, for sure, and Keaton is a delight. --Tom Keogh

A successfull career woman is thrust into unexpected motherhood when she inherits a little girl and finds her life and relationships drastically changed.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 6-FEB-2001
Media Type: DVD

Yours, Mine and Ours

Predating The Brady Bunch by almost a decade, Yours, Mine, and Ours is a screwball comedy about the ultimate blended family. When the widow Helen North (Lucille Ball) marries the widower Frank Beardsley (Henry Fonda), the two must find a place to house their 18--count 'em, 18!--kids (she had 8, he had 10). Based on a real-life couple, the film details the nuances of everyday life in a house overrun with children. From getting all the kids ready for school to sending off an older son to war, this well-written film is wholesome entertainment that doesn't condescend. Look for the very young Tracy Nelson as Germaine. --Jenny Brown

Henry Fonda and Lucille Ball bring added dimension to this hilarious true story of a widow and widower whose marriage creates a full house of twenty! Tom Bosley and Van Johnson co-star.System Requirements:Starring: Lucille Ball Henry Fonda Van Johnson Louise Troy Sidney Millek Tom Bosley Nancy Howard Walter Brooke and Tim Matheson. Directed By: Melville Shavelson. Running Time: 111 Min. Color. This film is presented in "Standard" format. Copyright 2000 MGM Studios.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: NR UPC: 027616859167 Manufacturer No: 1001606

Red River

Any short list of the all-time greatest Westerns is bound to include this 1948 Howard Hawks classic about an epic cattle drive. Red River features one of John Wayne's greatest performances. Like his Ethan Edwards in John Ford's 1956 masterpiece The Searchers, the Duke plays an isolated and unsympathetic man who is possessed by bitterness. Wayne is Texas rancher Tom Dunson, who adopts a young boy orphaned in an Indian massacre. That boy, Matthew Garth (played as an adult by Montgomery Clift in his screen debut), becomes Dunson's assistant and heir apparent--until Dunson's temper gets out of control during a long cattle drive and Matt intervenes to stop him. From that moment on, Dunson swears he will kill Matt. Red River has everything a great Western ought to have: a sweeping sense of history, spectacular landscapes, stampedes, gunfights, Indian attacks, and, of course, Walter Brennan as Dunson's crusty old cook and comic sidekick, Nadine Groot. As a special bonus, the film also features the legendary Harry Carey (upon whom Wayne would base some of his gestures in The Searchers) and his son Harry Carey Jr., who became a fixture in Ford and Hawks Westerns. Red River is essential for anyone who loves Westerns, or movies in general. This one's a real beaut. --Jim Emerson

A cattle baron and his adopted son head the first drive over the Chisolm trail when he can't find a local market for his herd.
Genre: Westerns
Rating: NR
Release Date: 1-MAY-2001
Media Type: DVD

The Train

This is one of John Frankenheimer's breathless gems--all marvelous action that never lets up. Burt Lancaster plays a French train engineer during the waning days of the German occupation who tries to prevent Nazi colonel Paul Scofield from transporting a precious art collection back to Germany. Utilizing sabotage and cunning deception, Lancaster and his Resistance colleagues stall for time with the Allies on their way. It's a brilliantly made film, showing off Lancaster's acrobatic skills (he performed all of his own stunts) and Frankenheimer's sense of pacing and brilliant use of space. It's choreographed with the utmost precision (those are real explosions during the pivotal strafing sequence) and extremely authentic in its details. Lancaster is in rare minimalist form, and Scofield manages to extract intelligence and sympathy. A firecracker action film shot in crisp black and white, with yet another telling audio commentary by the always instructive director. --Bill Desowitz

This tense 1964 action drama from John Frankenheimer (The Manchurian Candidate) stars Burt Lancaster as a member of the French Resistance trying to prevent Nazi looters from taking valuable art treasures out of the country. A great ride all the way with Frankenheimer at his inimitable best. This is a true human-scale action movie of the sort we used to think of before "action" meant blowing up asteroids in space. Kinetic but almost rueful in tone the films chases and fights are not just eye candy but rather encourage audience involvement in moral stakes. Crisp and serious performances all around from Lancaster and 1960s icons Paul Scofield and Jeanne Moreau. System Requirements:Starring: Burt Lancaster et al. Director: John Frankenheimer Format: DVD MOVIE Genre: DRAMA Rating:  UPC: 027616753922 Manufacturer No: M110330

Hans Christian Andersen

Of all the Danny Kaye movies, this musical biography of the legendary vagabond storyteller is definitely the most poignant, extending the performer's range far beyond his usual comic shtick. It may not be as funny as Wonder Man, but it has so much more going for it. In fact, the film is really more about Kaye than Andersen, providing rare insight into his humanitarian ideals and rapport with children. The Frank Loesser score is beautiful, as is the Technicolor cinematography. Among the songs performed, "Inchworm," "Thumbelina," and "Ugly Duckling" are the standout favorites. --Bill Desowitz

Once upon a time there lived in Denmark a young shoemaker named Hans Christian Andersen whose magical tales delighted boys and girls throughout the land. Filled with music laughter and "wonderful glittering fun" (L.A. Examiner) this charming fable follows the adventures of the legendary storyteller and "recaptures the spirit of fairyland make-believe for children of all ages" (Southern California Motion Picture Council). Nominated* for six Oscars® Hans Christian Andersen is pure enchantment! Danny Kaye "is a delight" (Cue) as Hans who one day journeys beyond the borders of his small village across the sea and into the dazzling city of Copenhagen. There he encounters marvels and wonders beyond his wildest dreams...and finds the inspiration for some of his most unforgettable characters such as "The Little Mermaid" "The Ugly Duckling" "Thumbelina" and many more!*1952: Art Direction (Color) Cinematography (Color) Costume Design (Color) Scoring of a Musical Picture Song "Thumbelina" SoundSystem Requirements:Running Time: 112 Min.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: NR UPC: 027616859136 Manufacturer No: 1001603

Shag

It's not too surprising that Shag flopped on its 1989 release but found a devoted cult following on cable TV and home video. This featherweight comedy looked like a waste of space on the big screen, but it plays very cozily on the tube, where it lends itself to popcorn breaks and pajama parties. (The lousy title must have had something to do with the movie's initial failure, a problem worsened by the film being marketed as Shag: The Movie, a truly dumb idea.) Shag is in the tradition of Spring Break pictures, a thoroughly formulaic stroll through the conventions of the minigenre: beachside romance, a wild party, one tender deflowering, and lots of rock & roll. The time is 1963, as three gal friends trick their soon-to-be-married pal (Phoebe Cates) into one final all-girl fling in Myrtle Beach, South Carolina. Cates is engaged to a local well-bred stick (Tyrone Power Jr.), but soon she's tempted by a beach boy (Robert Rusler) bound for Yale (mm-hmm). The so-so material is buoyed by lovely Annabeth Gish, as the supposedly pudgy one in the group, and Bridget Fonda, as a prematurely sophisticated sexpot. After a while it's easy enough to relax and enjoy the girls' breezy adventures, which are served up without the soap opera melodrama of the similarly tooled Where the Boys Are. Oh, and Austin Powers notwithstanding, the title refers to the dance, not something else. --Robert Horton

What do you get when you mix T-Birds, Bermuda shorts, bubble-flip dos and incredible dancing? You get Shag, The Movie a comic free-for-all (The New York Times) that Variety calls fun and breezy and you'll call a blast! Carson (Phoebe Cates, Fast Times at Ridgemont High) is all set to marry respectable but boring Harley (Tyrone Power, Jr., Cocoon) until her best friends Melaina (Bridget Fonda, Single White Female), Pudge (Annabeth Gish, MysticPizza), and Luanne (Page Hannah, TV's Fame ) whisk her off for a last-fling beach party where all the girls have the time of their lives! A charming bad boy throws Carson's marriage plans intothe spin cycle. His nerdy sidekick whirls Pudge through some dazzling dance steps. Sultry Melaina learns some sexy moves from an Elvis-like teen idol. And even straight-laced Luanne whips off her horn-rimmed glasses and tosses her innocence to the wind!

The Black Stallion

Adapted from the beloved novel by Walter Farley, this 1979 family classic was hailed by no less than hard-to-please critic Pauline Kael, who wrote that "it may be the greatest children's movie ever made." A visual feast from start to finish, the timeless tale of The Black Stallion plays out on almost mythic terms. A young boy survives a shipwreck and is stranded on a deserted island with a graceful black stallion, with whom the boy develops an almost empathic friendship. After being rescued and returning home, the two make a winning team as jockey and lightning-fast racehorse under the tutelage of a passionate trainer, played by Mickey Rooney in an Oscar-nominated role. From its serenely hypnotic island sequence to the breathtaking race scenes, this delightful film is guaranteed to enthrall any viewer, regardless of age. The Black Stallion is a genuine masterpiece of family entertainment. --Jeff Shannon

Young Alec Ramsay and a wild stallion are cast adrift and help each other survive on a desolate island.
Genre: Feature Film Family
Rating: G
Release Date: 1-MAY-2001
Media Type: DVD

The Man in the Iron Mask

Footnotes in movie books are likely to reduce this swashbuckling adventure down to a simple description: it was the first movie to star Leonardo DiCaprio after the phenomenal success of Titanic. As such it automatically attracted a box-office stampede of Leo's young female fans, but critical reaction was deservedly mixed. Having earned his directorial debut after writing the Oscar-winning script for Mel Gibson's Braveheart, Randall Wallace wrote and directed this ambitious version of the often-filmed classic novel by Alexandre Dumas. DiCaprio plays dual roles as the despotic King Louis XIV, who rules France with an iron fist, and the king's twin brother, Philippe, who languishes in prison under an iron mask, his identity concealed to prevent an overthrow of Louis' throne. But Louis' abuse of power ultimately enrages Athos (John Malkovich), one of the original Four Musketeers, who recruits his former partners (Gabriel Byrne, Gérard Depardieu, and Jeremy Irons) in a plot to liberate Philippe and install him as the king's identical replacement. Once this plot is set in motion and the Musketeers are each given moments in the spotlight, the film kicks into gear and offers plenty of entertainment in the grand style of vintage swashbucklers. But it's also sidetracked by excessive length and disposable subplots, and for all his post-Titanic star power, the boyish DiCaprio just isn't yet "man" enough to be fully convincing in his title role. Still, this is an entertaining movie, no less enjoyable for falling short of the greatness to which it aspired. --Jeff Shannon

Paths of Glory

Stanley Kubrick had already made his talent known with the outstanding racetrack heist thriller The Killing, but it was the 1957 antiwar masterpiece Paths of Glory that catapulted Kubrick to international acclaim. Based on the novel by Humphrey Cobb, the film was initiated by Kirk Douglas, who chose the young Kubrick to direct what would become one of the most powerful films about the wasteful insanity of warfare. In one of his finest roles, Douglas plays Colonel Dax, commander of a battle-worn regiment of the French army along the western front during World War I. Held in their trenches under the threat of German artillery, the regiment is ordered on a suicidal mission to capture an enemy stronghold. When the mission inevitably fails, French generals order the selection of three soldiers to be tried and executed on the charge of cowardice. Dax is appointed as defense attorney for the chosen scapegoats, and what follows is a travesty of justice that has remained relevant and powerful for decades. In the wake of some of the most authentic and devastating battle sequences ever filmed, Kubrick brilliantly explores the political machinations and selfish personal ambitions that result in battlefield slaughter and senseless executions. The film is unflinching in its condemnation of war and the self-indulgence of military leaders who orchestrate the deaths of thousands from the comfort of their luxurious headquarters. For many years, Paths of Glory was banned in France as a slanderous attack on French honor, but it's clear that Kubrick's intense drama is aimed at all nations and all men. Though it touches on themes of courage and loyalty in the context of warfare, the film is specifically about the historical realities of World War I, but its impact and artistic achievement remain timeless and universal. --Jeff Shannon

Safe in their picturesque chateau behind the front lines, the French general staff passes down a direct order to Colonel Dax (Kirk Douglas): take the Ant Hill at any cost. A blatant suicide mission, the attack is doomed to failure. Covering up their fatal blunder, the generals order the arrest of three innocent soldiers, charging them with cowardice and mutiny. Dax, a lawyer in civilian life, rises to the men's defense but soon realizes that, unless he can prove that the generals were to blame,nothing less than a miracle will save his clients from the firing squad. A compelling masterpiece from world-class director/writer Stanley Kubrick and screenwriters Calder Willingham and JimThompson, Paths of Glory is a blistering indictment of military politics and "an unforgettable movie experience" (Newsweek).