Drama

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NCIS (Naval Criminal Investigative Service) is more than just an action drama. With liberal doses of humor, it's a show that focuses on the sometimes complex and always amusing dynamics of a team of special agents forced to work together in high-stress situations. From murder and espionage to terrorism and stolen submarines, these special agents travel the globe to investigate all crimes with Navy or Marine Corps ties.

Season One
Equal parts JAG and C.S.I., NCIS does a formidable job of blending relevant military headlines with quirky characters who are tenaciously determined to solve a crime--even if it means having to sleep in the morgue to get a few minutes of shut eye. Created by Donald P. Bellisario (JAG, Quantum Leap), NCIS actually began as a two-part episode of JAG in 2003. Later that year, the drama made its full-season debut on CBS. On this six-disc set, which includes all 23 non-JAG episodes plus optional commentary by Bellisario on the first episode, viewers are introduced to an elite squad of special agents, led by Leroy Jethro Gibbs (Mark Harmon). Gibbs is a hard-nosed investigator who doesn't say much. But when he does, an insult usually comes out of his mouth. He's brilliant when it comes to ferreting out the truth, but he's not savvy enough to figure out how to block his ex-wife's nagging phone calls. Instead, he makes do by destroying his cell phone. Gibbs' team is fleshed out by an eclectic and somewhat eccentric set of colleagues, including medical examiner Dr. Donald "Ducky" Mallard (David McCallum from The Man from U.N.C.L.E.), wannabe playboy and former homicide detective Anthony DiNozzo (Michael Weatherly), forensics expert and resident Goth chick Abby Sciuto (Pauley Perrette), and former Secret Service agent Caitlin Todd (Sasha Alexander).

The murder of a peripheral NCIS agent halfway through the season is a taste of what's to come in future seasons when core characters leave the show (voluntarily or not). But in its first year, the show sets up a strong premise that (while not wholly original) is well executed. One of the more stickling aspects of the show is its reluctance to allow Tony to show signs of maturity. At times, he behaves more like a rambunctious puppy than an ace investigator. --Jae-Ha Kim

Season Two

NCIS takes the CSI formula, throws in a good dose of JAG, and comes up with an entertaining series that takes advantage of the actors' likeability. The season begins with the introduction a couple new regulars--agent Timothy McGee (Sean Murray) and assistant medical examiner Jimmy Palmer (Brian Dietzen). And one cast member departs the show by the end of the season. The six-disc set includes all 23 episodes, which aired on CBS during 2004-2005. The show's sophomore year begins with "See No Evil," in which a Navy officer (guest star David Keith) is forced to embezzle millions of dollars, or risk having his wife and blind daughter killed by a kidnapper (played by Tom Cruise's cousin William Mapother). Led by Jethro Gibbs (Mark Harmon), the crack NCIS team comes through to save the day and reveal the mastermind behind the twisted case. Gibbs doesn't display much more emotion this season than he did in the show's debut, but he's just as sarcastic (and even tempered) when being threatened. During one altercation, the mafia threatens to kill his father, brothers and uncles. Non-plussed, Gibbs calmly says that while he has no male relatives still alive, he'd be happy to fax over the numbers of his three ex-wives.

With the help of his ace medical examiner Dr. Donald "Ducky" Mallard (David McCallum from The Man from U.N.C.L.E), Gibbs and his team are almost invincible when it comes to solving complicated crimes. Whether he's piecing together the bones of a body, or performing an autopsy on a crisply burnt poodle, Ducky is matter-of-fact as he talks to his dead "clients." Of his nervous but eager assistant Jimmy, Ducky notes, "He means well, but sometimes I have an overwhelming urge to slap him." This season, viewers get to see the romantic (and slightly gross) side of Ducky as he briefly romances a doctor half this age. Also on hand to aid (and annoy) Gibbs are happy-go-lucky Tony DiNozzo (Michael Weatherly), former Secret Service agent Caitlin Todd (Sasha Alexander), and forensics expert Abby Sciuto (Pauley Perrette), who can solve anything if you say "please" and bring her a Big Gulp to sip. Look for a gentle guest appearance by Charles Durning as a Medal of Honor recipient who wants to turn himself in for killing his best friend and fellow comrade during World War II. While the plot twists won't surprise most viewers, the acting, writing, and spirit of the episode leaves the viewer feeling satisfied. --Jae-Ha Kim

Season Three

With two solid seasons already banked, NCIS returns for a compelling third year with exciting plotlines and a slightly tweaked cast. The show's second season ended with the brutal and shocking death of Caitlin Todd (Sasha Alexander). The first two episodes of this season deal with the aftermath of bringing her killer to justice and examining the emotional impact of her loss on the remaining members of the NCIS team, which is led by Jethro Gibbs (Mark Harmon). The six-disc set includes all 24 episodes, which aired on CBS during 2005-2006. Returning are happy-go-lucky ladies' man Tony DiNozzo (Michael Weatherly, Dark Angel), forensics expert and resident Goth chick Abby Sciuto (Pauley Perrette), medical examiner Dr. Donald "Ducky" Mallard (David McCallum, The Man from U.N.C.L.E), and agent Timothy McGee (Sean Murray). Former Mossad intelligence officer Ziva David (Cote de Pablo) joins the close-knit cast, as does Jennifer Shepard (Lauren Holly, Dumb & Dumber) as the new NCIS director. Working on a daily basis with Shepard initially makes Gibbs wary. Not only is she a former girlfriend, but she also was his underling at one time. Equal parts CSI and JAG, NCIS works primarily because of its quirky cast, which is able to take sometimes regurgitated ideas and rework them into something engagingly watchable. Throughout this season, we will see agents endangered and framed, and one will accidentally kill an undercover detective who may not have been armed. But the explosive two-part season finale will finally shed light on Gibbs' painful history and help explain why he is who is he today. --Jae-Ha Kim

Season Four

The fourth season of NCIS begins with one of the investigators being charged with assassinating an Iranian prisoner. Former Mossad intelligence agent Ziva David (Cote de Pablo), who was introduced last season, has been framed, and there's only one man who can clear her name. Unfortunately, lead investigator Jethro Gibbs (Mark Harmon) has retired to Mexico. But since Harmon is the star of the show, Gibbs returns to the United States to help out his colleague. While most of his former team is happy, Tony DiNozzo (Michael Weatherly) has mixed feelings (During Gibbs' absence, DiNozzo became the de facto head of the team, and going back to being Gibbs' underling doesn't sit well with the usually easygoing special agent.). Like William Petersen on CSI, Harmon is instrumental to the success of NCIS. Low-key and sarcastic, he injects humor and drama into a role that could've come off as dull. And while other cast members may come and go, his presence makes even some of the weaker storylines forgivable. In general, this season--which originally aired from 2006 to 2007--is full of well-developed plot lines that drive each episode along at a good pace. But there are some subplots that are trite: When agent Timothy McGee (Sean Murray) reveals that that book he's writing is based on his co-workers, it's not much of a reveal. Also, the serial-killer storyline in this season overstays its welcome by at least one episode. As NCIS director Jennifer Shepard, Lauren Holly makes a sometimes unlikable character come to life, especially when Shepard's motives are questionable. As the show's name suggests, the majority of crimes featured revolve around military personnel, but some of the show's best moments occur when they touch of the personal relationships between the characters. All 24 episodes are included in this six-disc box set, which also includes commentaries, a Q&A session with cast members answer fans' questions, and a surprisingly interesting look at the props used on the show. --Jae-Ha Kim

Season Five

Describing season four of NCIS as "the season of secrets," executive producer Shane Brennan suggests that season five (offered here with 18 episodes, including a two-part finale, on five discs) is "the season of answers." For the most part, that’s true--but at season’s end, loyal viewers are likely to be thrown for a loop by the death of a major character and a startling set of changes bound to have a profound effect on the show’s future. Picking up where the previous year left off, this new batch jumps right in with a continuation of Special Agent Jethro Gibbs (Mark Harmon) and company’s pursuit of notorious international arms dealer La Grenouille ("The Frog," played by Armand Assante), whom NCIS director Jenny Shepard (Lauren Holly) is particularly keen on taking down--a quest that’s complicated by the fact that the bad guy is a CIA asset, and by Agent Anthony DiNozzo’s (Michael Weatherly) love affair with La Grenouille’s daughter. That storyline, barely touched on thereafter, is resolved in the 14th episode, "Internal Affairs." Meanwhile, the NCIS crew is distracted by an array of other cases, most of them involving murder. Of particular interest are several episodes related to Iraq and the War on Terror: a Naval officer of Syrian descent who’s suspected of being an Al Qaeda mole is murdered seconds after Gibbs talks him out of jumping off a building ledge; a Marine who’s having a violent bout of post-traumatic stress after returning from the Mideast turns out to be far worse off than that; Medical Examiner Donald "Ducky" Mallard (David McCallum) refuses to conduct an autopsy because of the deceased’s Muslim beliefs.

There’s no doubt that NCIS is slick, entertaining prime-time television in every respect: writing, acting, production values, music, and so on. Still, one’s appreciation of the show largely depends on the characters’ likeability, and that’s very much a matter of taste. Gibbs may be a chick magnet, with four former wives and a past relationship with Shepard to prove it, but he’s also a taciturn fellow with horrible social skills. DiNozzo’s funny and insouciant, but his smugness and incessant razzing of computer nerd Timothy McGee (Sean Murray) soon becomes tiresome, while Shepard is steely and simply unlikeable (the most appealing characters are arguably McCallum’s Mallard and Pauley Perrette’s mouthy Abby Sciuto, the goth-like forensic expert). Bonus material includes cast and crew commentary on various episodes and a typical assortment of featurettes. --Sam Graham

Season Six

NCIS: Naval Criminal Investigative Service is that rare TV series that grows more popular over multiple seasons. The ratings of this slick and skillful crime show’s sixth season topped the previous five--no doubt due to blending a satisfying story formula with a perfectly balanced cast. Special Agent Jethro Gibbs (Mark Harmon, whose long career includes St. Elsewhere and Chicago Hope) is the stern but caring father-figure to a squad of younger agents, including obnoxious, self-satisfied field agent Tony DiNozzo (Michael Weatherly), sexy ex-Mossad agent Ziva David (Cote de Pablo), quizzical cyber-expert Tim McGee (Sean Murray), goth-chick forensics whiz Abby Sciuto (Pauley Perrette), and crusty but wise medical examiner Donald “Ducky” Mallard (David McCallum, whose career goes back even farther than Harmon’s, to The Man from U.N.C.L.E.). The banter and tensions of this eccentric sextet provide a reliable comic foil to the frequently gruesome events under investigation. At the end of the fifth season, this crack team was scattered to the far corners of the earth by NCIS Director Vance (Rocky Carroll), leaving Gibbs with a green new crew--but within minutes of this season’s first episode, that’s revealed to be a ruse: Someone in the new team is sending secrets to the enemy. Naturally, sussing out the traitor requires pulling in the old gang one by one. From there, the season gallops along with gripping and often gory opening scenarios (A shower sprays blood! A disembowelled Navy captain has a pentagram on his back! A dying marine writes a number in his own blood--and it’s the number for Gibbs’ service record!) which are cleverly twisted to reveal even more sensational conclusions. The best episodes mislead the viewer multiple times before finally unveiling a surprise solution in the last few minutes. Gliding under these tangled threads are comic subplots about stolen cupcakes and cyberdating. Harmon anchors the show with understated gravitas (sometimes he doesn’t change expression through the entire episode), but the quirky side-players provide the juice, particularly old hand McCallum and the petulant but demanding Perrette. Though the NCIS setting means the crimes need to involve Naval personnel, that’s just window dressing--this is a show that any fan of detective procedurals will enjoy. NCIS: The Sixth Season features plenty of extras for fans, including commentaries that show the actors have the same chatty chemistry as their characters. --Bret Fetzer

Season Seven

"A few months ago, I had not even heard of NCIS," a terrorist remarks in the gripping season opener, "Truth or Consequences," a benchmark episode. Where's he been? NCIS was television's top-rated scripted drama, an impressive achievement for a show in its seventh season. NCIS may not have any Emmys to its credit or generate water cooler buzz, but it's got a devoted fan base who will follow Special Agent Gibbs (Mark Harmon) and the rest of the Naval Criminal Investigative Service wherever their investigations take them. In the brilliantly constructed and executed "Truth or Consequences," it's North Africa, where movie-referencing hunk Special Agent DiNozzo (Michael Weatherly) and McGee (Sean Murray) have been captured while investigating Ziva's disappearance. For uninitiated "probies," this episode serves as a series primer as DiNozzo, tied to a chair and shot up with sodium pentothal, gives a rundown to his captor about the rest of the team and their standing in the NCIS universe. There is considerable comfort to be taken in the show's format. Episodes usually begin with discovery of a shocking and grisly murder, then office banter and byplay until Gibbs announces said crime ("We got a dead marine, grab your gear") and then the labyrinthine investigation leading to an act 4 twist. This isn't Law and Order, where sometimes the guilty walk. This is NCIS and justice is always served. But it's not the crimes; it's the characters that are at the heart of this series' enduring popularity. This season provides Ziva (Cote de Pablo) with an especially satisfying arc as she quits the Mossad to become an actual NCIS agent and studies for her United States citizenship exam. Her will they-won't they romantic tension with DiNozzo simmers satisfactorily over the course of the season. Season 7 comes full circle with Gibbs's capture by Mexican drug cartel leader Paloma Reynosa, seeking revenge for Gibbs's murder of her father. She offers him a career change. "You might as well put a bullet in my head," Gibbs predictably replies. But she ups the ante in an unspeakably bad way that is the stuff season-ending cliffhangers are made of. This DVD contains interesting special features that immerse viewers in the production of the series, from the sound design to the design of Gibbs's house, which is seen for the first time this season. --Donald Liebenson

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Robert Downey Jr. returns as billionaire Tony Stark in this thrilling sequel to the worldwide blockbuster. Now that his superhero secret has been revealed, Tony’s life is more intense than ever. Everyone wants in on the Iron Man technology, whether for power or profit…but for Ivan Vanko (“Whiplash”), it’s revenge! Tony must once again suit up and face his most dangerous enemy yet, but not without a few new allies of his own. Co-starring Mickey Rourke, Gwyneth Paltrow, Don Cheadle, Scarlett Johansson and Samuel L. Jackson, Iron Man 2 is a “total blast!”

After the high-flying adventures of the first Iron Man picture, the billionaire arms manufacturer and irrepressible bon vivant Tony Stark (Robert Downey Jr.) finds himself nursing a hangover. But not like any hangover he's had before: this one is toxic, a potentially deadly condition resulting from heavy metals (or something) bleeding out of the hardware he's installed in the middle of his chest. This is the problem Stark needs to solve in Iron Man 2, not to mention the threat from resentful Russian science whiz Ivan Vanko (Mickey Rourke), whose father helped create the Iron Man technology. There's an even bigger problem for the film: the need to set up a future Marvel Comics movie universe in which a variety of veteran characters will join forces, a requirement that slows down whatever through-line the movie can generate (although fanboys will have a good time digging the clues laid out here). Actually, the main plot is no great shakes: another Iron Man suit is deployed (Don Cheadle, replacing Terrence Howard from the first film, gets to climb inside), Stark continues to bicker with assistant Pepper Potts (Gwyneth Paltrow), and a weaselly business rival (Sam Rockwell) tries to out-do the Iron Man suit with an army of Vanko-designed drones. Mickey Rourke is a letdown, burdened by a wobbly Russian accent and looking skeptical about the genre foolishness around him, and Scarlett Johansson has to wait until the final couple of reels to unleash some butt-kickin' skills as the future Black Widow. That climax is sufficiently lively, and the initial half-hour, including Stark's smirky appearance before a Senate committee and a wacky showdown at the Monaco Grand Prix, provides a strong, swift opening. But the lull between these high points is crying for more action and more Downey improv. --Robert Horton

Suit up for action with Robert Downey Jr. in the ultimate adventure movie you’ve been waiting for, Iron Man! When jet-setting genius-industrialist Tony Stark is captured in enemy territory, he builds a high-tech suit of armor to escape. Now, he’s on a mission to save the world as a hero who’s built, not born, to be unlike any other. Co-starring Gwyneth Paltrow, Terrence Howard and Jeff Bridges, it’s a fantastic, high-flying journey that is “hugely entertaining” (Joe Morgenstern, The Wall Street Journal).

You know you're going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics' longstanding series, Iron Man puts billionaire industrialist Tony Stark (that's Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quit hits that precise rhythm again, it nevertheless offers plenty of pleasure, as the renewed Stark swears off his past as a weapons manufacturer, develops his new Iron Man suit, and puzzles both his business partner (Jeff Bridges in great form) and executive assistant (Gwyneth Paltrow). Director Jon Favreau geeks out in fun ways with the hardware, but never lets it overpower the movie, and there's always a goofy one-liner or a slapstick pratfall around to break the tension. As for Downey, he doesn't get to jitterbug around too much in his improv way, but he brings enough of his unpredictable personality to keep the thing fresh. And listen up, hardcore Marvel mavens: even if you know the Stan Lee cameo is coming, you won't be able to guess it until it's on the screen. It all builds to a splendid final scene, with a concluding line delivery by Downey that just feels absolutely right. --Robert Horton




Stills from Iron Man (Click for larger image)

Welcome to a magical world of spectacular adventure! When wily and resourceful Hugo discovers a secret left by his father, he unlocks a mystery and embarks on a quest that will transform those around him and lead to a safe and loving place he can call home. Academy Award®-winning filmmaker Martin Scorsese invites you to experience a thrilling journey that critics are calling “the stuff that dreams are made of.” *Peter Travers, Rolling Stone

In resourceful orphan Hugo Cabret (Asa Butterfield, an Oliver Twist-like charmer), Martin Scorsese finds the perfect vessel for his silver-screen passion: this is a movie about movies (fittingly, the 3-D effects are spectacular). After his clockmaker father (Jude Law) perishes in a museum fire, Hugo goes to live with his Uncle Claude (Ray Winstone), a drunkard who maintains the clocks at a Paris train station. When Claude disappears, Hugo carries on his work and fends for himself by stealing food from area merchants. In his free time, he attempts to repair an automaton his father rescued from the museum, while trying to evade the station inspector (Sacha Baron Cohen), a World War I veteran with no sympathy for lawbreakers. When Georges (Ben Kingsley), a toymaker, catches Hugo stealing parts for his mechanical man, he recruits him as an assistant to repay his debt. If Georges is guarded, his open-hearted ward, Isabelle (Chloë Moretz), introduces Hugo to a kindly bookseller (Christopher Lee), who directs them to a motion-picture museum, where they meet film scholar René (Boardwalk Empire's Michael Stuhlbarg). In helping unlock the secret of the automaton, they learn about the roots of cinema, starting with the Lumière brothers, and give a forgotten movie pioneer his due, thus illustrating the importance of film preservation, a cause to which the director has dedicated his life. If Scorsese's adaptation of The Invention of Hugo Cabret isn't his most autobiographical work, it just may be his most personal. --Kathleen C. Fennessy

Suit up for action with Robert Downey Jr. in the ultimate adventure movie you've been waiting for, Iron Man! When jet-setting genius-industrialist Tony Stark is captured in enemy territory, he builds a high-tech suit of armor to escape. Now, he's on a mission to save the world as a hero who's built, not born, to be unlike any other. Co-starring Gwyneth Paltrow, Terrence Howard and Jeff Bridges, it's a fantastic, high-flying journey that is 'hugely entertaining' (Joe Morgenstern, The Wall Street Journal).

You know you're going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics' longstanding series, Iron Man puts billionaire industrialist Tony Stark (that's Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quit hits that precise rhythm again, it nevertheless offers plenty of pleasure, as the renewed Stark swears off his past as a weapons manufacturer, develops his new Iron Man suit, and puzzles both his business partner (Jeff Bridges in great form) and executive assistant (Gwyneth Paltrow). Director Jon Favreau geeks out in fun ways with the hardware, but never lets it overpower the movie, and there's always a goofy one-liner or a slapstick pratfall around to break the tension. As for Downey, he doesn't get to jitterbug around too much in his improv way, but he brings enough of his unpredictable personality to keep the thing fresh. And listen up, hardcore Marvel mavens: even if you know the Stan Lee cameo is coming, you won't be able to guess it until it's on the screen. It all builds to a splendid final scene, with a concluding line delivery by Downey that just feels absolutely right. --Robert Horton




Stills from Iron Man (Click for larger image)

See Titanic as you have never seen it before, digitally re-mastered to an unparalleled 3D and overseen by Academy Awardr-winning director James Cameron and producer Jon Landau. Leonardo DiCaprio and Kate Winslet shine in the timeless love story born of tragedy that created an international phenomenon as memorable as the legendary "ship of dreams." Winner of 11 Academy Awards, including Best Picture, this epic masterpiece is destined to sweep audiences anew into the journey of a lifetime.

When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200-million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Pictures as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Titanic would surpass the $1-billion mark in global box-office receipts, win 11 Academy Awards including Best Picture and Director, launch the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief, but never forgotten, love affair provides the humanity that Cameron needed to turn Titanic into a moving emotional experience. Although some of the computer-generated visual effects look artificial, others--such as the climactic splitting of the ship's sinking hull--are state-of-the-art marvels of cinematic ingenuity. It's an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. --Jeff Shannon

The epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.

Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright

NCIS (Naval Criminal Investigative Service) is more than just an action drama. With liberal doses of humor, it's a show that focuses on the sometimes complex and always amusing dynamics of a team of special agents forced to work together in high-stress situations. From murder and espionage to terrorism and stolen submarines, these special agents travel the globe to investigate all crimes with Navy or Marine Corps ties.

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• Hugo
• Two disc DVD

Welcome to a magical world of spectacular adventure! When wily and resourceful Hugo discovers a secret left by his father, he unlocks a mystery and embarks on a quest that will transform those around him and lead to a safe and loving place he can call home. Academy Award®-winning filmmaker Martin Scorsese invites you to experience a thrilling journey that critics are calling “the stuff that dreams are made of.” *Peter Travers, Rolling Stone

In resourceful orphan Hugo Cabret (Asa Butterfield, an Oliver Twist-like charmer), Martin Scorsese finds the perfect vessel for his silver-screen passion: this is a movie about movies (fittingly, the 3-D effects are spectacular). After his clockmaker father (Jude Law) perishes in a museum fire, Hugo goes to live with his Uncle Claude (Ray Winstone), a drunkard who maintains the clocks at a Paris train station. When Claude disappears, Hugo carries on his work and fends for himself by stealing food from area merchants. In his free time, he attempts to repair an automaton his father rescued from the museum, while trying to evade the station inspector (Sacha Baron Cohen), a World War I veteran with no sympathy for lawbreakers. When Georges (Ben Kingsley), a toymaker, catches Hugo stealing parts for his mechanical man, he recruits him as an assistant to repay his debt. If Georges is guarded, his open-hearted ward, Isabelle (Chloë Moretz), introduces Hugo to a kindly bookseller (Christopher Lee), who directs them to a motion-picture museum, where they meet film scholar René (Boardwalk Empire's Michael Stuhlbarg). In helping unlock the secret of the automaton, they learn about the roots of cinema, starting with the Lumière brothers, and give a forgotten movie pioneer his due, thus illustrating the importance of film preservation, a cause to which the director has dedicated his life. If Scorsese's adaptation of The Invention of Hugo Cabret isn't his most autobiographical work, it just may be his most personal. --Kathleen C. Fennessy

A winner with audiences and critics alike, DreamWorks Animation’s How to Train Your Dragon rolls fire-breathing action, epic adventure and laughs into a captivating and original story. Hiccup is a young Viking who defies tradition when he befriends one of his deadliest foes – a ferocious dragon he calls Toothless. Together, the unlikely heroes must fight against all odds to save both their worlds in this “wonderful good-time hit!” (Gene Shalit, Today).

A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and satisfying film DreamWorks Animation has produced. Hiccup (voice by Jay Baruchel) is a failure as a Viking: skinny, inquisitive, and inventive, he asks questions and tries out unsuccessful contraptions when he's supposed to be fighting the dragons that attack his village. His father, chief Stoick the Vast (Gerard Butler), has pretty much given up on his teenage son and apprenticed him to blacksmith Gobber (Craig Ferguson). Worse, Hiccup knows the village loser hasn't a chance of impressing Astrid (America Ferrera), the girl of his dreams and a formidable dragon fighter in her own right. When one of Hiccup's inventions actually works, he hasn't the heart to kill the young dragon he's brought down. He names it Toothless and befriends it, although he's been taught to fear and loathe dragons. Codirectors and cowriters Chris Sanders and Dean DeBlois, who made Disney's delightful Lilo and Stitch, provide plenty of action, including vertiginous flying sequences, but they balance the pyrotechnics with moments of genuine warmth that make the viewer root for Hiccup's success. Many DreamWorks films get laughs from sitcom one-liners and topical pop culture references; as the humor in Dragon comes from the characters' personalities, it feels less timely and more timeless. Toothless chases the spot of sunlight reflected off Hiccup's hammer like a giant cat with a laser pointer; Hiccup uses his newly found knowledge (and an icky smoked eel) to defeat two small dragons--and impress the other kids. How to Train Your Dragon will be just as enjoyable 10 or 20 years from now as it is today. (Rated PG: suitable for ages 8 and older, violence, some intense action and scary dragons) --Charles Solomon