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Aladdin (Disney Special Platinum Edition)

After Aladdin discovers the Genie in the lamp, he uses his wishes to help win the heart of Princess Jasmine, despite the evil tricks of the Grand Vizier Jafar.
Genre: Feature Film Family
Rating: NR
Release Date: 5-OCT-2004
Media Type: DVD

Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). --Tom Keogh

Arrested Development - The Complete Series (Seasons 1, 2, 3)

Season One: Winner of the Outstanding Comedy Series Emmy its first year out, Arrested Development is the kind of sitcom that gives you hope for television. A mockumentary-style exploration of the beleaguered Bluth family, it's one of those idiosyncratic shows that doesn't rely on a laugh track or a studio audience; it's shot more like a TV drama, albeit with an omniscient narrator (executive producer Ron Howard) overseeing the proceedings. Holding the Bluths together just barely is son Michael Bluth (Jason Bateman), the only normal guy in a family that's chock full of nuts. Hardworking and sensible, Michael's certain he's going to be given control of his family's Enron-style corporation upon the retirement of his father (Jeffrey Tambor). The fact that he's passed over instead for his mother (Jessica Walter) is only a blip when compared to his father's immediate arrest for dubious accounting practices, and the resulting freeze on the family's previously limitless wealth.

Bereft of money, and even less family love, the Bluths have to band together in their moment of need--not easy when everyone's looking out for number 1. In addition to his scabrous parents, Michael has to contend with his lothario older brother (Will Arnett), his basically useless younger brother (Tony Hale), his greedy twin sister (Portia DeRossi), and her sexually ambiguous husband (David Cross). Michael's only comrade in sanity is his son George Michael (Michael Cera), but then again, the teenage boy harbors a secret crush on his cousin (Alia Shawkat). A peerless ensemble led by the brilliant Bateman (who ever knew he could be this good?), all the actors are pitch-perfect in their roles, delivering the dryly funny, sometimes absurdist dialogue with the speed and flair of classic farce. The unusual tone of Arrested Development takes a bit of getting used to--it's far different from anything you'll see on TV, even HBO--but once you buy in to the Bluths' innumerable dysfunctions, you'll be laughing your head off for hours.--Mark Englehart

Season Two: The axe of cancellation dangled perilously over Arrested Development during its second season, but the award-winning comedy fought against fate to deliver a hilarious if scattershot 18 episodes (reduced from the original show order of 22), and stayed alive for the beginning of a third season. Most likely, the creators and actors knew the clock was ticking down, so they didn't hesitate to throw their all into these manic, hilarious episodes, which have only the thinnest of plot arcs but an electrifying energy that makes them hard to resist. Some of the story antics were more of the same: good son Michael (Jason Bateman) tries to keep his company afloat, but is often foiled by older brother Gob (Will Arnett); the precarious marriage of Lindsay (Portia de Rossi) and Tobias (David Cross) undergoes a trial separation; and young George-Michael (Michael Cera) fights his attraction to his cousin Maeby (Alia Shawkat). Other show developments, though, were new and stunningly, uproariously bizarre: Buster (Tony Hale) joins the army, but later finds his hand bitten off by a seal (yes, a real seal), and Oscar (Jeffrey Tambor), the hippie brother of jailed George Sr. (also Tambor), rekindles an affair with sister-in-law Lucille (Jessica Walter), which may have resulted in Buster's conception years ago.

Jokes flew fast and furious, as did guest stars--Ben Stiller, Julia Louis-Dreyfuss, Christine Taylor, Thomas Jane, Ed Begley Jr., Ione Skye, and Zach Braff among them--making it hard to keep straight who was doing what and why. No matter, as each of the episodes was in and of itself was a perfect gem of comedy, strung together by sharp writing and fantastic performances. In addition to the regular cast, both Liza Minnelli, reprising her role as "Lucille Two," and Martin Short, as an, um, eccentric family friend, deserve special mention, with the episode both appeared in, "Ready, Aim, Marry Me," a frenetic exercise in slapstick farce. Typical examples of the show's offbeat humor were found in "Afternoon Delight," in which various members of the Bluth family discover the true meaning of the '70s ballad, "Meet the Veals," wherein the Bluths encounter the conservative parents of George Michael's girlfriend, and "Motherboy XXX," surrounding an unsettling mother-son traditional dance. The entire cast cohered perfectly through this season, and their give and take provided a perfect balance among the actors, all of whom were even better than the previous year. However, it's Bateman who should be singled out as the show's anchor, mixing dry sarcasm with impeccable comic timing. Despite plummeting ratings, Arrested Development didn't just keep its head above water, it swam with grace and hilarity. --Mark Englehart

Season Three: Arrested Development--one of the greatest comedies in the history of television--went out in a blaze of glory. The truncated final season packed more biting humor per minute than ever before. In only 13 episodes, dozens of intertwining storylines spun in all directions: In addition to the overarching story about the fractious infighting of the Bluth family and the family's housing development company being investigated for treason in Iraq (a plot arc that comes to a dazzlingly surreal conclusion), the put-upon "good son" Michael Bluth (Jason Bateman, Teen Wolf Too) pursues romance with a lovely British woman (Charlize Theron, Monster) who turns out to be woefully inappropriate; swaggering magician Gob (Will Arnett, Monster-In-Law) flees from his newly-discovered teenage son while still pandering for the affection of his self-absorbed father (Jeffrey Tambor, The Larry Sanders Show); flighty Lindsay (Portia de Rossi, Ally McBeal) and her sexually blurry husband Tobias (David Cross, Mr. Show) both get the hots for the family's new lawyer, Bob Loblaw (Scott Baio, Charles in Charge); and much, much more. It's difficult to describe what makes Arrested Development so brilliant. The ensemble is uniformly superb (Jessica Walter, as the family's boozing, scheming matriarch, is particularly devastating this season) and the surprising guest stars (including Andy Richter, James Lipton, Justine Bateman, and many others) are perfectly cast; the characters' abominable behavior defies conventional television notions of "likability", yet they only grow more endearing the more you watch; the humor embraces wild slapstick and sharp satire, often within a single scene; and the nimble documentary style allows for sly glancing references to jokes and scenes from long-past episodes, rewarding devoted fans. But the key is that, no matter how screwball Arrested Development becomes, the show offers a rich, textured, and wonderfully coherent world in which these characters feel genuine, a world completely unlike the flat, plastic simulacrum offered by the average sitcom. Arrested Development was true to itself to the end. Its followers will cherish it forever. --Bret Fetzer

American Psycho (Uncut Killer Collector's Edition)

The Bret Easton Ellis novel American Psycho, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (I Shot Andy Warhol) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (Go Fish) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. --Sean Axmaker

The Bret Easton Ellis novel American Psycho, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (I Shot Andy Warhol) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (Go Fish) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. --Sean Axmaker

Patrick Bateman (Christian Bale) is a Wall Street yuppie obsessed with success, status and style, with a stunning fiancé (Reese Witherspoon). He is also a psychotic killer who rapes, murders and dismembers both strangers and acquaintances without provocation or purpose. Based on the controversial novel by Bret Easton Ellis, the film offers a sharp satire to the dark side of yuppie culture in the `80s, while setting forth a vision that is both terrifying and chilling.

Avatar The Last Airbender - The Complete Book 1 Collection

Book 1: Water, Vol. 1
Mysterious, visually beautiful at times, and surprisingly funny, Avatar: Book 1, Volume 1 is the exciting story of Aang, a 12-year-old reincarnation of the ancient Avatar, whose purpose (in an imagined world that seems both ancient and futuristic) is to restore peace and order between warring armies of the four elements: fire, earth, water, and air. At one time or another, over thousands of years, the Avatar has been embodied in masters of each of the elements. Aang (who is freed from a century-long sleep inside an iceberg) happens to be an "airbender," capable of using air and wind as powerful forces for moving objects and defeating hostile armies of firebenders. The feature-length Avatar follows Aang and a couple of friends as he becomes reacquainted with the world he knew before his 100-year hibernation--a world now lost to history. The story also concerns internal dramas within the unforgiving world of firebenders, who are intent on destruction and conquest. This engaging story, very pleasant to look at in its rich tones of blue and orange, is for all ages. --Tom Keogh

Book 1: Water, Vol. 2
Avatar The Last Airbender, Book 1: Water, Volume 2 continues the adventurous if half-comic journey of 12-year-old Airbender Aang, reincarnation of an ancient avatar, and his friends Katara and Sokka as they seek a teacher to help Aang fulfill his peacemaking destiny in a war-torn world. The four episodes on this disc, a follow-up to the elegant, magical series introduction, find the trio wandering through sundry Earth Nation cities, where they encounter signs of troubles between the once-harmonious, elemental tribes representing fire, earth, air, and water. They also bump into trouble with the occasional evil kingdom, as in "The King of Omashu," where Aang must go through various trials to save Katara and Sokka from a bizarre execution. (They're encased in growing, crystal structures.) "Imprisoned" finds Katara inadvertently responsible for the arrest of an Earthbending boy who dares to use his powers while his people are under Firebender occupation. The ambitious, two-part "Winter Solstice" is the best production in this collection, a pairing of storylines involving the capture of a Firebender war criminal and the hopes of a frightened village that turns to Aang to defeat a monster from the spirit world. The action is still original and fun on this sequel--most of it continues to be based on exciting uses of the elements--and the lead trio's characters (Aang the scamp, Katara the idealist, Sokka the skeptic) are still a pleasure to be with. --Tom Keogh

Book 1: Water, Vol. 3
The Avatar saga continues with four of the anime series' strongest stories yet on Book 1: Water, Volume 3, mixing goofy comedy with mythic drama in the spirit of Avatar's magical debut (Book 1 Water, Volume 1) and engaging follow-up (Book 1 Water, Volume 2). Volume 3 concerns the continuing (perilous) travels of Aang, the 12-year-old Airbender destined to heal the rift between the world's air, water, fire, and earth peoples, and his friends Katara and Sokka. "The Waterbending Scroll" finds Katara so jealous over Aang's quick mastery of complicated waterbending techniques that the trio ends up in trouble with a cluster of cutthroat pirates. "Jet" is an interesting story of an adolescent boy leading a Robin Hood-like rebellion against the firebending occupiers of his land. Charismatic and rakish, Jet makes Katara swoon and becomes a hero to Aang--until his true colors and agenda show up later. "The Great Divide" places Aang and company in the position of mediating a truce between refugees seeking assistance across a great canyon. Finally, "The Storm" is a superb piece which shows us, in parallel narratives, how Aang was fleeing his oppressed life as an avatar-in-training a century earlier when he became encased in ice, and how the driven, seemingly merciless Prince Zuko lost his own boyhood innocence before setting out to capture Aang. This excellent collection carries on the series' imaginative, graceful animation, making Avatar a real pleasure to watch. --Tom Keogh

Book 1: Water, Vol. 4

Book 1: Water, Vol. 5
Chapters 17 through 20 of Avatar the Last Airbender: Book 1 Water, Vol. 5 find Aang, the 12-year-old Avatar destined to bring peace to the world by mastering the four elements, once again in direct collision with the forces of the Fire nation. In "The Northern Air Temple," a sad Aang visits the ruins of a monastery well known to him in his past life. Aang is shocked to discover a tribe of faux Airbenders living there, presided over by an inventor with a dark and even treacherous secret. "The Waterbending Master" introduces Aang to a mentor he would just as soon avoid: an old Waterbender who can teach him to move, shape, and fight with liquid, prerequisites to Aang assuming his place as the world's savior. Meanwhile, Aang's traveling companion Katara is frustrated by that same master's refusal to sharpen her own natural, Waterbending talent; until, that is, an unexpected link between them becomes clear. (Aang's other friend, Sokka, stays busy--and crazy--chasing a princess who gives him mixed signals about her romantic interest.) "The Siege of the North, Parts 1 and 2" is yet another epic confrontation between Admiral Zhao's Fire Navy fleet and the Aang gang. The twist this time is that Zhao attempts the murder of Prince Zuko, an action that cannot go without consequences. As usual, Avatar is visually exciting and highly original, an otherworldly yet fully accessible fantasy full of dreams and good humor. --Tom Keogh

Avatar: The Complete Book One DVD Box Set includes the collection of all Avatar Water Nation episodes. This 6 disc set will center on the Water Nation and its characters in 20 Avatar episodes (Chapters 1-20) 5 DVD s plus a bonus disc filled with incredible special features!System Requirements:Running Time 489 Mins.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: NR UPC: 097368011946 Manufacturer No: 801194

Anne of Green Gables Trilogy Box Set

The award-winning "Anne of Green Gables" collection is now available in a DVD Box Set. Packaged in an attractive navy-blue box it has never been easier to share the magic of Anne with those that you love. More than 10 hours of high-quality entertainment brimming with lots of new bonus features never seen before!Includes the three Anne films:- Anne of Green Gables- Anne of Green Gables: The Sequel- Anne of Green Gables: The Continuing StorySystem Requirements:Run Time: 644 minutesFormat: DVD MOVIE Genre: CHILDREN/FAMILY Rating: NR UPC: 622237232322 Manufacturer No: SULDV23232

American Graffiti (Collector's Edition)

Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. --Jeff Shannon

Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes. --Jeff Shannon

Apocalypse Now - The Complete Dossier (Two-Disc Special Collector's Edition)

Set against the backdrop of the Vietnam War, Captain Willard, an intelligence officer, sets out on a mission to seek out and terminate renegade Captain Kurtz.
Genre: Feature Film-Drama
Rating: R
Release Date: 15-AUG-2006
Media Type: DVD

In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam War, following a battle-weary Captain Willard (Martin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

I love the smell of a collector's edition in the morning. Everyone's favorite Joseph Conrad adaptation gets the fancy packaging and extras treatment with this release of Apocalypse Now - The Complete Dossier. Both the original theatrical cut and the 2001 Redux version are included, with enough extras to keep one occupied on a long boat trip. Calling this the "complete" dossier is sure to raise hackles among fans who insist that Eleanor Coppola's lauded documentary, Hearts of Darkness, which chronicled husband Francis's harrowing experience making the film, should have been included. (As of this review, Hearts of Darkness has yet to be released on DVD, so battered VHS copies will have to suffice.) Packaged in a cardboard "dossier" sleeve, the two-disc set includes Marlon Brando reading T.S. Eliot's poem "The Hollow Men," new production featurettes, and cast member interviews. Owners of previous editions of either of the cuts might consider how much they want all the officially sanctioned information on this edition. For newcomers to the Vietnam epic, this is an edition worth going crazy for. --Ryan Boudinot

Apocalypse Now
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam War, following a battle-weary Captain Willard (Martin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

Apocalypse Now Redux
Digitally remastered with 49 minutes of previously unseen footage, Apocalypse Now Redux is the reference standard of Francis Coppola's 1979 epic. A metaphorical hallucination of the Vietnam War, the film was reconstructed by Coppola and editor Walter Murch to enrich themes and clarify the ending. On that basis Redux is a qualified success, more coherent than the original while inviting the same accusations of directorial excess. The restored "French plantation" sequence adds ghostly resonance to the war's absurdity, and Willard's theft of Colonel Kurtz's beloved surfboard adds welcomed humor to the film's nightmarish upriver journey. An encounter with Playboy Playmates seems superfluous compared to the enhanced interplay between Willard and his ill-fated boat crew, but compensation arrives in the hellish Kurtz compound, where Willard's mission--and the performances of Martin Sheen and Marlon Brando--reach even greater heights of insanity, thus validating Redux as the rightful heir to Coppola's triumphantly rampant ambition. --Jeff Shannon

Amelie

Perhaps the most charming movie of all time, Amélie is certainly one of the top 10. The title character (the bashful and impish Audrey Tautou) is a single waitress who decides to help other lonely people fix their lives. Her widowed father yearns to travel but won't, so to inspire the old man she sends his garden gnome on a tour of the world; with whispered gossip, she brings together two cranky regulars at her café; she reverses the doorknobs and reprograms the speed dial of a grocer who's mean to his assistant. Gradually she realizes her own life needs fixing, and a chance meeting leads to her most elaborate stratagem of all. This is a deeply wonderful movie, an illuminating mix of magic and pragmatism. Fans of the director's previous films (Delicatessen, The City of Lost Children) will not be disappointed; newcomers will be delighted. --Bret Fetzer

Quiet and reserved, Amelie Poulin spends her days as a waitress at a Paris cafe and entertains herself by playing kindhearted practical jokes on her neighbors, finding love in the meantime.
Genre: Foreign Film - French
Rating: R
Release Date: 14-JAN-2003
Media Type: DVD

American History X

Edward Norton's Academy Award nominated role as a White Supremist who sees the error of his ways while jailed for murder. Unfortunately he leaves prison to find his brother (Edward Furlong) heading down the same path.Running Time: 119 min.System Requirements:Directed by Tony Kaye Writing credits David McKenna Cast overview first billed only: Edward Norton Edward Furlong Beverly D Angelo Jennifer Lien Ethan Suplee Fairuza Balk Avery Brooks Elliott Gould Stacy Keach William Russ Guy Torry Joseph Cortese Jason Bose Smith Antonio David Lyons Alex Sol ;Runtime: USA:117;Sound Mix: Dolby Digital / SDDSFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 794043473920

Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

A.M. and P.M. Yoga

A.M. Yoga for Beginners
"The morning is a precious time," says the narrator of A.M. Yoga for Beginners. "Just as the sun rises and falls, so do our natural rhythms. The morning is perfect time to open our bodies and center our minds." This 20-minute yoga practice with supple instructor Rodney Yee is the perfect way to start your day by energizing your body and calming your mind. Filmed on the beach at Maui at sunrise, the video starts with a 4-minute Conscious Relaxation focusing on breathing, then glides into a 14-minute series of yoga poses that are simultaneously relaxing and energizing. It ends with a 2-minute seated Guided Meditation to center your body and mind. Yee's instruction is detailed and gentle. The video is beautifully filmed: you watch the waves roll in as Yee demonstrates yoga poses on a sandy beach. The yoga practice awakens and stretches your muscles gently, leaving you balanced and focused. "Yoga is the foundation of my day," says Yee. "A few minutes in the morning will help give meaning to your day." --Joan Price

P.M. Yoga for Beginners
"The evening is the perfect time to calmly transition between being active and being quiet," says Patricia Walden, instructor of P.M. Yoga for Beginners. "One of the greatest gifts yoga has to offer is deep relaxation." This 20-minute program is designed to balance, calm, and revitalize you at the end of the day. It starts with centering poses: gentle stretches bringing awareness and quiet to your senses. Next are standing poses to release tension, increase circulation, expand the lungs, and help you breathe more deeply. Next, forward bends cool the body and bring quiet to the nervous system. The final restorative poses are so relaxing that you may fall asleep. Walden tells you not only how to do the poses, but what you should feel, and how to quiet your body and your mind. Instruction is soothing and explicit. Although this video is aimed at beginners, seldom are modifications given for the less flexible novice, so if any pose causes discomfort or seems impossible, don't push beyond your personal comfort level. The video was filmed on the windswept sands of Death Valley. --Joan Price